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Words of eternity : Blake and the poetics of the sublime /
William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[1991]
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| Colección: | Princeton legacy library
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a De Luca, V. A., |d 1940- |e author. | |
| 245 | 1 | 0 | |a Words of eternity : |b Blake and the poetics of the sublime / |c Vincent Arthur De Luca. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1991] | |
| 264 | 4 | |c ©1991 | |
| 300 | |a 1 online resource (255 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ILLUSTRATIONS -- |t ACKNOWLEDGMENTS -- |t TEXTS AND ABBREVIATIONS -- |t INTRODUCTION -- |t CHAPTER ONE. Blake's Concept of the Sublime -- |t CHAPTER TWO. The Bardic Style: Sublime Extension -- |t CHAPTER THREE. The Iconic Style: Sublime Concentration -- |t CHAPTER FOUR. Narrative Sequences: Modes of Organization -- |t CHAPTER FIVE. The Setting of Nature and the Ruins of Time -- |t CHAPTER SIX. The Setting of the Divided Nations: The Antiquarian Sublime -- |t CHAPTER SEVEN. The Settings of Signs: Language and the Recovery of Origins -- |t EPILOGUE. Blake's Sublime in the Romantic Context -- |t INDEX. |
| 520 | |a William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of GeorgiaOriginally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Blake, William, |d 1757-1827 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Blake, William, |d 1757-1827 |2 fast |
| 650 | 0 | |a Sublime, The, in literature. | |
| 650 | 6 | |a Sublime dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a POETRY |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Sublime, The, in literature |2 fast | |
| 650 | 7 | |a English. |2 hilcc | |
| 650 | 7 | |a Languages & Literatures. |2 hilcc | |
| 650 | 7 | |a English Literature. |2 hilcc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a De Luca, V.A. |t Words of eternity : Blake and the poetics of the sublime. |d Princeton, New Jersey : Princeton University Press, [1991] |h xiv, 238 pages ; 24 cm |k Princeton legacy library |z 9780691606880 |w (DLC) 10900064 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7ztqtw |z Texto completo |
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