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Screen/play : Derrida and film theory /
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Weste...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[1989]
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| Colección: | Princeton legacy library.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Brunette, Peter, |e author. | |
| 245 | 1 | 0 | |a Screen/play : |b Derrida and film theory / |c Peter Brunette and David Wills. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1989] | |
| 264 | 4 | |c ©1989 | |
| 300 | |a 1 online resource (223 pages) | ||
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| 490 | 1 | |a Princeton Legacy Library | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Preface -- |t CHAPTER ONE. Introduction -- |t CHAPTER TWO. Derrida and Contemporary Film Studies -- |t CHAPTER THREE. Film as Writing: From Analogy to Anagram -- |t CHAPTER FOUR. The Frame of the Frame -- |t CHAPTER FIVE. Black and Blue -- |t CHAPTER SIX. Cinema and the Postal -- |t Works Cited -- |t Index. |
| 520 | |a Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also supplies a fascinating introduction to Derrida for the general reader. The authors begin by explaining, in political terms, why film theorists have neglected Derrida's work. Next they offer a Derridean critique of the assumptions of contemporary film studies. Then, drawing on his recently translated The Truth in Painting as well as on other, relatively unknown texts such as Droit de regards, they discuss his ideas in relation to the cinema and present two film analyses--of Truffaut's The Bride Wore Black and of Lynch's Blue Velvet--that attempt to demonstrate the notion of an "anagrammatical," radical reading practice. Finally, they focus on Derrida's neglected book, The Post Card, and situate cinema in terms of a new definition of the technological. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905 | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Derrida, Jacques. |
| 600 | 1 | 6 | |a Derrida, Jacques. |
| 600 | 1 | 7 | |a Derrida, Jacques. |2 fast |0 (OCoLC)fst00041147 |
| 600 | 1 | 7 | |a Derrida, Jacques, |d (1930-2004) |2 ram |
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Film criticism. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Film criticism. |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 1 | 7 | |a Filmtheorie. |2 gtt |
| 650 | 1 | 7 | |a Filmscenario's. |2 gtt |
| 650 | 7 | |a Crítica cinematográfica. |2 larpcal | |
| 650 | 7 | |a Critique cinématographique. |2 ram | |
| 655 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01726252 | |
| 655 | 7 | |a Motion pictures. |2 lcgft | |
| 655 | 7 | |a Films. |2 rvmgf | |
| 700 | 1 | |a Wills, David, |d 1953- |e author. | |
| 776 | 0 | 8 | |i Print version: |a Brunette, Peter. |t Screen/play : Derrida and film theory. |d Princeton, New Jersey : Princeton University Press, [1989] |h xi, 210 pages ; 25 cm |z 9780691609355 |w (DLC) 10899970 |
| 830 | 0 | |a Princeton legacy library. | |
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