Style and consciousness in Middle English narrative /

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John M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex f...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ganim, John M., 1945- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1983]
Colección:Princeton legacy library
Temas:
To 1500
English poetry > Middle English, 1100-1500 > History and criticism.
English language > Middle English, 1100-1500 > Style.
Narrative poetry, English > History and criticism.
Romances, English > History and criticism.
Narration (Rhetoric) > History > To 1500.
Space and time in literature.
Reader-response criticism.
Rhetoric, Medieval.
Poésie anglaise > 1100-1500 (Moyen anglais) > Histoire et critique.
Roman courtois anglais > Histoire et critique.
Esthétique de la réception.
Rhétorique médiévale.
POETRY > English, Irish, Scottish, Welsh.
POETRY > European > English, Irish, Scottish, Welsh.
English language > Middle English > Style.
English poetry > Middle English.
Narration (Rhetoric)
Narrative poetry, English.
Romances, English.
Criticism, interpretation, etc.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction
  • Chapter 1. Community and Consciousness in Early Middle English Romance
  • Chapter 2. Disorientation, Style, and Perception in Sir Gawain and the Green Knight
  • Chapter 3. Consciousness and Time in Troilus and Criseyde
  • Chapter 4. Mannerism and Moralism in Lydgate's Siege of Thebes
  • Chapter 5. The Limits of Vision in Henryson's Testament of Cresseid
  • Epilogue
  • Notes
  • Index
  • Backmatter.

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