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Gardens in the modern landscape : a facsimile of the revised 1948 edition /
Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in g...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
University of Pennsylvania Press,
Ã2014.
|
| Edición: | 1st ed. |
| Colección: | Penn studies in landscape architecture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tunnard, Christopher, |e author. | |
| 245 | 1 | 0 | |a Gardens in the modern landscape : |b a facsimile of the revised 1948 edition / |c Christopher Tunnard ; with a new foreword by John Dixon Hunt. |
| 250 | |a 1st ed. | ||
| 260 | |a Philadelphia : |b University of Pennsylvania Press, |c Ã2014. | ||
| 300 | |a 1 online resource (xxii, 184 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Penn studies in landscape architecture | |
| 504 | |a Includes bibliographical references (pages 179-180) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; GARDENS IN THE MODERN LANDSCAPE; Title; Copyright; CONTENTS; Foreword to the facsimile edition; Gardens in the Modern Landscape (1948 edition); FOREWORD; ACKNOWLEDGEMENTS; LANDSCAPE INTO GARDEN; I. Reason and Romanticism; The Grotto. A manifestation of the taste for ""Awful Beauty"" in the eighteenth-century garden; II. The Verdant Age; A Garden Landscape, 1740; III. Pictures versus Prospects; A Garden Landscape, 1840; THE NINETEENTH-CENTURY TRADITION; I. Victorian Ideals; II. Colour and the Cottage Garden; III. Science and Specialization; TOWARDS A NEW TECHNIQUE. | |
| 505 | 8 | |a I. Functional Aspects of Garden PlanningII. Asymmetrical Garden Planning; III. Art and Ornament; Modern Interpretations of Traditional Forms; IV. The Planter's Eye; Architects' Plants; GARDEN INTO LANDSCAPE; I. Gardens in the Modern Landscape; The Garden in the Landscape. A summary of characteristic development over 200 years; II. Community Gardens; III. A Solution for Today; The Minimum Garden; A Garden Landscape in Transition; IV. The Wider Planning; MODERN AMERICAN GARDENS; THE MODERN GARDEN; BIBLIOGRAPHY; INDEX. | |
| 546 | |a English. | ||
| 520 | |a Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an aesthetic and practical ordering of its units provides a friendly and hospitable milieu for rest and recreation."Tunnard's magazine pieces were republished in book form as Gardens in the Modern Landscape in 1938, and a revised second edition was issued a decade later. Taken together, these articles constituted a manifesto for the modern garden, its influence evident in the work of such figures as Lawrence Halprin, Philip Johnson, and Edward Larrabee Barnes.Long out of print, the book is here reissued in a facsimile of the 1948 edition, accompanied by a contextualizing foreword by John Dixon Hunt. Gardens in the Modern Landscape heralded a sea change in the evolution of twentieth-century design, and it also anticipated questions of urban sprawl, historic preservation, and the dynamic between the natural and built environments. Available once more to students, practitioners, and connoisseurs, it stands as a historical document and an invitation to continued innovative thought about landscape architecture. | ||
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