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Skin acts : race, psychoanalysis, and the Black male performer /
In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stephens, Michelle Ann, |e author | |
| 245 | 1 | 0 | |a Skin acts : |b race, psychoanalysis, and the Black male performer / |c Michelle Ann Stephens. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xiv, 282 pages) : |b illustrations | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Preface; Acknowledgments; Introduction. Fleshing Out the Act; Chapter One. Seeing Faces, Hearing Signs; Chapter Two. Bodylines, Borderlines, Color Lines; Chapter Three. The Problem of Color; Chapter Four. In the Flesh, Living Sound; Conclusion. Defacing Race, Rethinking the Skin; Notes; Bibliography; Index. | |
| 520 | |a In Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers-Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley-to reveal how racial and sexual difference is both marked by and experienced in the skin. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a African American entertainers. | |
| 650 | 0 | |a African American men. | |
| 650 | 0 | |a Human skin color. | |
| 651 | 0 | |a United States |x Race relations. | |
| 650 | 2 | |a Skin Pigmentation | |
| 650 | 6 | |a Artistes du spectacle noirs américains. | |
| 650 | 6 | |a Hommes noirs américains. | |
| 650 | 6 | |a Couleur de la peau. | |
| 651 | 6 | |a États-Unis |x Relations raciales. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Minority Studies. |2 bisacsh | |
| 650 | 7 | |a African American entertainers |2 fast | |
| 650 | 7 | |a African American men |2 fast | |
| 650 | 7 | |a Human skin color |2 fast | |
| 650 | 7 | |a Race relations |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Stephens, Michelle Ann. |t Skin Acts : Race, Psychoanalysis, and the Black Male Performer. |d Durham : Duke University Press, ©2014 |z 9780822356684 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11cw1t2 |z Texto completo |
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