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Grinding California : Culture and Corporeality in American Skate Punk.

»Grinding California± provides the first academic analysis of the subculture of skate punk at book-length. It establishes highly critical evaluations of the discourses that influenced early skateboarding and punk cultures. Based on an examination of songs, flyers, magazines, and videos, Konstantin B...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Butz, Konstantin
Formato: Electrónico eBook
Idioma:Inglés
Publicado: transcript Verlag, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover Grinding California ; Table of Contents; Acknowledgments ; INTRODUCTION: "Let's skate!" ; A Brief Note on Subcultures ; 1 CONTEXT ; 1.1 The Body and Interlocking Expressions ; 1.1.1 Lived Bodies: Movement, Forces, and Politics ; 1.1.2 Body, Postmodernism, and Capitalism. 
505 8 |a 1.1.3 An Intersectional Access: Approaching Skate Punk 1.2 The Context ; 1.2.1 The USA of the 1980s ; 1.2.2 The Middle Class and Intersections with Race and Gender ; "The Myth of the Middle Class" ; Race and Class ; Masculinity and Whiteness ; 1.2.3 Suburbia ; Suburbia and Utopia. 
505 8 |a Postsuburbia The (Post- ) Suburban Home and the Tax Payers' Revolt ; Cultural Vacuum in a Consumption-Oriented Landscape ; 1.2.4 Skateboarding ; Three Paradigms in Skateboard History ; Surfing: From Ancient Hawaii to Suburban California ; Dogtown: Surf and Skate Rebellion. 
505 8 |a After Dogtown: Skateboarding in the 1980s 1.2.5 Punk and Hardcore Punk ; The 1980s as a Starting Point for Hardcore Punk ; Hardcore Punk and the Suburban Middle Class ; Race and Whiteness within Hardcore Punk Culture ; Masculinity in Hardcore Punk ; 1.3 Conclusion ; 2 CONTENT. 
505 8 |a 2.1 Introduction 2.1.1 On Skate Punk ; 2.1.2 Skate Punk and Popular Culture ; 2.2 Skate and Hardcore Punk Lyrics in their Cultural Context: Between Banality and Blankness ; 2.2.1 Song Lyrics in a Postmodern Dialog ; Space: Suburban Homes and Local Beaches ; Class: Home Is Where? 
520 |a »Grinding California± provides the first academic analysis of the subculture of skate punk at book-length. It establishes highly critical evaluations of the discourses that influenced early skateboarding and punk cultures. Based on an examination of songs, flyers, magazines, and videos, Konstantin Butz revisits American popular cultures of the 1980s and approaches them from a variety of theoretical and methodological angles. He introduces contemplations of the rebellious potential that can be located within skate punk's material and corporeal contestations of the site-specific locale of suburb. 
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