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|a E7B
|b eng
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|d OCLCO
|d YDXCP
|d OCLCF
|d OCLCQ
|d OCLCO
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|d JSTOR
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|a 9783447192736
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|a 3447192739
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|z 9783447069007
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|b 000065043098
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|a (OCoLC)884588912
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|a 22573/ctvc0j686
|b JSTOR
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|a PN2884.5.Y35
|b .B563 2013eb
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|a LIT
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|a 792.095487
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|a UAMI
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|a Binder, Katrin,
|e author.
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|a Yaksagana rangabhumi :
|b the world of the yaksagana stage /
|c Katrin Binder.
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|a Wiesbaden [Germany] :
|b Harrassowitz Verlag,
|c 2013.
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|c ©2013
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|a 1 online resource (489 pages).
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|a text
|b txt
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Drama und Theater in Südasien ;
|v Band 11
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|a Includes bibliographical references and indexes.
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|a Online resource; title from PDF title page (ebrary, viewed July 8, 2014).
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|a ""Table of Contents""; ""Acknowledgements""; ""Preface""; ""Note on transliteration and use of words from Indian languages, Indian personal and place names""; ""1. Introduction""; ""1.1. Summary""; ""1.2. Yaká¹£agÄ?na of coastal Karnataka""; ""2. Research material, terminology and method""; ""2.1. Published research on yaká¹£agÄ?na""; ""2.1.1.Lines of inquiry: picking up threads and themes""; ""2.2. Terminology and definitions""; ""2.2.1. Genre and classification""; ""2.2.2.The name yaká¹£agÄ?na: problems in its history and etymology""; ""2.2.3. »Tradition« and »traditional""
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|a ""2.2.4. Art, artists and performers""""2.2.5. Field, fieldwork and informants""; ""2.3. Methodological considerations""; ""2.3.1. Academic reference points""; ""2.3.2. Performance knowledge""; ""2.3.3. Implicit learning and procedural knowledge""; ""2.3.4. Corporeality""; ""2.3.5. Learning ""yaká¹£agÄ?na"" myself""; ""2.3.6. Learning and performing as research method""; ""2.3.7. Committing experience to writing""; ""3. Performing yaká¹£agÄ?na""; ""3.1 Learning process and transformation""; ""3.1.1. Transmission of dramatic text""; ""3.1.2. Transmission of music""
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|a The yaksagana dance-drama of the coastal regions of the south Indian union state of Karnataka is still a thriving theatre tradition. Characterised by its distinct musical style, a lively blend of sung poetry and improvised dialogues, impressive costumes and vigorous dancing, this genre combines many features prevalent in Indian performing arts. The volume by Katrin Binder presents a general overview of the dance-drama and its representation in academic literature, followed by terminological and methodological considerations. These reflect the author's own training as a yaksagana artist, which.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Yakṣagāna
|x History and criticism.
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|a Yaksagāna
|x Histoire et critique.
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|a LITERARY CRITICISM / Asian / Indic
|2 bisacsh
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|a Yakṣagāna
|2 fast
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|a Criticism, interpretation, etc.
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|i Print version:
|a Binder, Katrin.
|t Yaksagana rangabhumi : the world of the yaksagana stage.
|d Wiesbaden, [Germany] : Harrassowitz Verlag, ©2013
|h viii, 476 pages
|k Drama und Theater in Südasien ; Band 11
|z 9783447069007
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830 |
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|a Drama und Theater in Südasien ;
|v Bd. 11.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvc16fvs
|z Texto completo
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|a ebrary
|b EBRY
|n ebr10887556
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|a YBP Library Services
|b YANK
|n 11921535
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|a 92
|b IZTAP
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