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|a UAMI
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|a Modern Argentine masculinities /
|c edited by Carolina Rocha ; cover designer, Stephanie Sarlos ; copy-editor, Ed Hatton ; production managers, Melanie Marshall and Tom Newman.
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|a Bristol, England ;
|a Chicago, Illinois :
|b Intellect,
|c 2013.
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|c ©2013
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|a 1 online resource (312 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
|b cr
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|a Includes bibliographical references at the end of each chapters and index.
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|a Online resource; title from PDF title page (ebrary, viewed January 14, 2014).
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|a ""Cover""; ""Half Title""; ""Title""; ""Copyright ""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""Chapter 1: Imagining Male Subjects: Representing Argentine Masculinities in Nineteenth-Century Poetry Anthologies""; ""Chapter 2: Maricas and Lunfardos in Buenos Aires: A Critique of the Latino-Mediterranean Model of Sexuality ""; ""Chapter 3: Masculinities, Modernity and the City in Roberto Arlt�s El juguete rabioso ""
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|a ""Chapter 4: Afro-Argentines, Papás, Malevos and Patotas: Characterizing Masculinity on the Stages and in the Audiences of Buenos Aires, 1880�1920 """"Chapter 5: Pariahs in the Wilderness: Abject Masculinity in Horacio Quiroga""; ""Chapter 6: The Military, Movies and Masculinity: Su mejor alumno and Pampa bárbara""; ""Chapter 7: Masculinity, Performance and Peronist Nationalism in La traición de Rita Hayworth""; ""Chapter 8: Marginalized Masculinity and Spaces of the Delinquent in Early New Argentine Cinema ""
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|a ""Chapter 9: From Competing Masculinities to Male Bonding: Father�Son Relationships and Nation in Three Argentine Films""""Chapter 10: Money to Burn, Burnt Money: Crime, Violence and Nonheteronormative Masculinities""; ""Chapter 11: Middle-Class Masculinities in Juan José Campanella�s El hijo de la novia and Luna de Avellaneda ""; ""Chapter 12: Vulnerable Beings/Vulnerable Subjectivities: An Approach to Masculinities in the Narrative of Rodolfo Fogwill ""; ""Chapter 13: Melting Masculinities in Carlos Busqued�s Bajo este sol tremendo ""
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|a ""Chapter 14: Masculinities at War: The Military versus the Neoliberal in Accounts of the Falklands/Malvinas War""""Chapter 15: Basic Instincts, Violence and Sex-Driven Creatures: New Argentine Masculinity or Old �Macho� Culture? ""; ""Chapter 16: Popular Music and Macho Representation: The Case of Cumbia Villera ""; ""Contributors""; ""Back Cover""
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 650 |
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|a Masculinity in popular culture
|z Argentina.
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| 650 |
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|a Masculinité dans la culture populaire
|z Argentine.
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| 650 |
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|a SOCIAL SCIENCE
|x Discrimination & Race Relations.
|2 bisacsh
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| 650 |
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|a SOCIAL SCIENCE
|x Minority Studies.
|2 bisacsh
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| 650 |
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|a POLITICAL SCIENCE / Public Policy / Science & Technology Policy
|2 bisacsh
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| 650 |
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|a Masculinity in popular culture
|2 fast
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| 651 |
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|a Argentina
|2 fast
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| 700 |
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|a Hatton, Ed.
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| 700 |
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|a Marshall, Melanie.
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| 700 |
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|a Newman, Tom.
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| 700 |
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|a Rocha, Carolina.
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| 700 |
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|a Sarlos, Stephanie.
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| 776 |
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|i Print version:
|t Modern Argentine masculinities.
|d Bristol, England ; Chicago, Illinois : Intellect, ©2013
|h viii, 299 pages
|z 9781783200153
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| 856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvzjq
|z Texto completo
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