|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn884499496 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
140724s1983 ctug ob 000 0 eng d |
010 |
|
|
|z 82013498
|
040 |
|
|
|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d YDXCP
|d OCLCQ
|d IOG
|d EZ9
|d TXC
|d OCLCO
|d LVT
|d OCLCA
|d OCLCQ
|d OCLCA
|d MM9
|d UX1
|d OCLCQ
|d OCLCO
|d OCLCQ
|d INARC
|d OCLCQ
|
019 |
|
|
|a 1175631069
|a 1285478445
|
020 |
|
|
|a 9780300162660
|q (electronic bk.)
|
020 |
|
|
|a 0300162669
|q (electronic bk.)
|
020 |
|
|
|z 0300028008
|
020 |
|
|
|z 9780300028003
|
020 |
|
|
|z 0300028032
|
020 |
|
|
|z 9780300028034
|
029 |
1 |
|
|a AU@
|b 000062467442
|
029 |
1 |
|
|a GBVCP
|b 1003775853
|
035 |
|
|
|a (OCoLC)884499496
|z (OCoLC)1175631069
|z (OCoLC)1285478445
|
037 |
|
|
|a 22573/ctt5q8pdp
|b JSTOR
|
050 |
|
4 |
|a MT6
|b .A766 1983eb
|
072 |
|
7 |
|a LCO010000
|2 bisacsh
|
082 |
0 |
4 |
|a 781
|2 22
|
084 |
|
|
|a 24.79
|2 bcl
|
088 |
|
|
|a 82013498
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Aspects of Schenkerian theory /
|c edited by David Beach.
|
264 |
|
1 |
|a New Haven :
|b Yale University Press,
|c [1983]
|
264 |
|
4 |
|c ©1983
|
300 |
|
|
|a 1 online resource (xi, 222 pages) :
|b music
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|
504 |
|
|
|a Includes bibliographical references.
|
505 |
0 |
|
|a Schenker's theories, a pedagogical view / David Beach -- Thematic content, a Schenkerian view / John Rothgeb -- Motive and text in four Schubert songs / Carl Schachter -- Aspects of motivic elaboration in the opening movement of Haydn's Piano sonata in C♯ minor / Roger Kamien -- Schenker's theory of levels and musical performance / Charles Burkhart -- The analysis of pre-Baroque music / Saul Novack -- Heinrich Schenker and historical research : Monteverdi's madrigal Oimè, se tanto amate / Felix Salzer -- Schenkerian analysis and post-tonal music / James Baker -- Appendix, two articles: The Fantaisie-impromptu, a tribute to Beethoven ; The dramatic character of the Egmont overture / by Ernst Oster.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
7 |
|a Schenker, Heinrich.
|2 swd
|
650 |
|
0 |
|a Schenkerian analysis.
|
650 |
|
6 |
|a Analyse schenkérienne.
|
650 |
|
7 |
|a Schenkerian analysis.
|2 fast
|0 (OCoLC)fst01106670
|
650 |
|
7 |
|a Musiktheorie
|2 gnd
|
650 |
|
7 |
|a Aufsatzsammlung
|2 gnd
|
650 |
1 |
7 |
|a Muziektheorie.
|2 gtt
|
700 |
1 |
|
|a Beach, David,
|d 1938-
|
776 |
0 |
8 |
|i Print version:
|t Aspects of Schenkerian theory
|z 0300028008
|w (DLC) 82013498
|w (OCoLC)8666771
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5vm2p4
|z Texto completo
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 11820524
|
938 |
|
|
|a Internet Archive
|b INAR
|n aspectsofschenke0000unse
|
994 |
|
|
|a 92
|b IZTAP
|