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An Introduction to the Music of Milton Babbitt.
In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has help...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
2014.
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| Colección: | Princeton legacy library.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mead, Andrew Washburn, |e author. | |
| 245 | 1 | 3 | |a An Introduction to the Music of Milton Babbitt. |
| 260 | |a Princeton : |b Princeton University Press, |c 2014. | ||
| 300 | |a 1 online resource (335 pages) | ||
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| 490 | 1 | |a Princeton Legacy Library | |
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| 520 | |a In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, ""truly music to be heard."" With Mead as a gu | ||
| 505 | 0 | |a Acknowledgments ; Prologue; ONE ; Milton Babbitt's Compositional World; Introduction; The Twelve-Tone System; Babbitt's Pitch Structures; Babbitt's Rhythmic Structures; TWO ; Mapping Trichordal Pathways (1947-1960); A Wellspring of Possibilities: The Composition for Four Instruments; Realizing the Implications of the Composition for Four Instruments; Additional Compositional Strategies; THREE; Expansion and Consolidation (1961-1980); Effects of All-Partition Arrays; A Brief Venture into Comparative Anatomy; Two (Short) Analyses; FOUR ; The Grand Synthesis (1981- ). | |
| 505 | 8 | |a Superarray Structure and ProjectionSuperarray Compositions; Concerted Superarray Compositions; Trichordal Arrays and Superarrays; Miniatures, Pieces D'Occasion; New Departures; Epilogue; CATALOG OF COMPOSITIONS BY MILTON BABBITT; ALL-PARTITION ARRAYS; NOTES; BIBLIOGRAPHY; DISCOGRAPHY; INDEX. | |
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Babbitt, Milton, |d 1916-2011 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Babbitt, Milton, |d 1916-2011. |2 fast |0 (OCoLC)fst01760273 |
| 650 | 0 | |a Twelve-tone system. | |
| 650 | 6 | |a Dodécaphonisme. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Twelve-tone system. |2 fast |0 (OCoLC)fst01159809 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Mead, Andrew. |t An Introduction to the Music of Milton Babbitt. |d Princeton : Princeton University Press, ©2014 |
| 830 | 0 | |a Princeton legacy library. | |
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