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Wagner Androgyne.
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
2014.
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| Colección: | Princeton studies in opera.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Nattiez, Jean-Jacques. | |
| 245 | 1 | 0 | |a Wagner Androgyne. |
| 260 | |a Princeton : |b Princeton University Press, |c 2014. | ||
| 300 | |a 1 online resource (380 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Princeton Studies in Opera | |
| 588 | 0 | |a Print version record. | |
| 500 | |a Catalog of Wagner's Writings. | ||
| 520 | |a That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especia. | ||
| 505 | 0 | |a Preface ; Note to the English Edition ; Bibliographical Note ; PART ONE. Androgyny and the Ring: From Theory to Practice ; INTRODUCTION TO PART ONE: Mythic Narrative, Theoretical Discourse; CHAPTER ONE ; The Theoretical Essays of 1849 to 1851; CHAPTER TWO ; Wieland the Smith; CHAPTER THREE ; The Ring as a Mythic Account of the History of Music; CHAPTER FOUR ; Art as a Metaphor of Itself; PART TWO. Music and Poetry: The Metamorphoses of Wagnerian Androgyny ; INTRODUCTION TO PART TWO ; CHAPTER FIVE ; Wagnerian Androgyny and Its Romantic Counterpart ; CHAPTER SIX. | |
| 505 | 8 | |a Musica Triumphans (1851-1873) CHAPTER SEVEN; The Return of Androgyny (1878-1883) ; CONCLUSION TO PART TWO; PART THREE. Wagner and Androgynous Hermeneutics ; CHAPTER EIGHT ; Psychoanalyzing Wagner; CHAPTER NINE ; Animus-Anima; CHAPTER TEN ; Androgynous Structuralism; CHAPTER ELEVEN ; Marxism, Feminism, and Romanticism; CHAPTER TWELVE; Deconstruction or Restoration of Meaning?; EPILOGUE; Interpreting Wagner in the Age of Doubt; Catalog of Wagner's Writings; Notes; References; Index. | |
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| 600 | 1 | 0 | |a Wagner, Richard, |d 1813-1883 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Wagner, Richard, |d 1813-1883 |2 fast |
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| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Nattiez, Jean-Jacques. |t Wagner Androgyne. |d Princeton : Princeton University Press, ©2014 |
| 830 | 0 | |a Princeton studies in opera. | |
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