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Playing with Signs : a Semiotic Interpretation of Classic Music.
Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of this condition. Playing with Signs proposes a listene...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton :
Princeton University Press,
2014.
|
| Colección: | Princeton legacy library.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Agawu, V. Kofi |q (Victor Kofi), |e author. | |
| 245 | 1 | 0 | |a Playing with Signs : |b a Semiotic Interpretation of Classic Music. |
| 260 | |a Princeton : |b Princeton University Press, |c 2014. | ||
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| 520 | |a Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of this condition. Playing with Signs proposes a listener-oriented theory of Classic instrumental music that encompasses its two most fundamental communicative dimensions: expression and structure. Units of expression, defined in reference to topoi, are shown here to interact with, confront, and merge into units of structure, defined in terms of the r. | ||
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| 650 | 6 | |a Analyse musicale. | |
| 650 | 6 | |a Classicisme dans la musique. | |
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| 830 | 0 | |a Princeton legacy library. | |
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