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A study of Scarletts : Scarlett O'Hara and her literary daughters /

There are two portrayals of Scarlett O'Hara: the widely familiar one of the film Gone with the Wind and Margaret Mitchell's more sympathetic character in the book. In A Study of Scarletts, Margaret D. Bauer examines these two characterizations, noting that although Scarlett O'Hara is...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bauer, Margaret Donovan, 1963-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbia, South Carolina : University of South Carolina Press, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bauer, Margaret Donovan,  |d 1963- 
245 1 2 |a A study of Scarletts :  |b Scarlett O'Hara and her literary daughters /  |c Margaret Donovan Bauer. 
246 3 0 |a Scarlett O'Hara and her literary daughters 
264 1 |a Columbia, South Carolina :  |b University of South Carolina Press,  |c 2014. 
264 4 |c ©2014 
300 |a 1 online resource 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- In defense of Scarlett O'Hara -- Gone with the men: Scarlett and Melanie redux in Cold Mountain -- "Put your heart in the land": an intertextual reading of Barren ground and Gone with the wind -- Sula: "more sinned against than sinning" -- "Disregarding the female imperative": Kat Meads's Kitty Duncan, a 1960s-era Scarlett O'Hara -- Afterword. 
588 0 |a Print version record. 
520 |a There are two portrayals of Scarlett O'Hara: the widely familiar one of the film Gone with the Wind and Margaret Mitchell's more sympathetic character in the book. In A Study of Scarletts, Margaret D. Bauer examines these two characterizations, noting that although Scarlett O'Hara is just sixteen at the start of the novel, she is criticized for behavior that would have been excused if she were a man. In the end, despite losing nearly every person she loves, Scarlett remains stalwart enough to face another day. For this reason and so many others, Scarlett is an icon in American popular culture and an inspiration to female readers, and yet, she is more often than not condemned for being a sociopathic shrew by those who do not take the time to get to know her through the novel. After providing a more sympathetic reading of Scarlett as a young woman who refuses to accept social limitations based on gender and seeks to be loved for who she is, Bauer examines Scarlett-like characters in other novels. These intertextual readings serve both to develop further a less critical, more compassionate reading of Scarlett O'Hara and to expose societal prejudices against strong women. The chapters in A Study of Scarletts are ordered chronologically according to the novels' settings, beginning with Charles Frazier's Civil War novel Cold Mountain; then Ellen Glasgow's Barren Ground, written a few years before Gone with the Wind but set a generation later, in the years leading up to and just after World War I; Toni Morrison's Sula, which opens after World War I; and finally, a novel by Kat Meads, The Invented Life of Kitty Duncan, with its 1950s- to 1960s-era evolved Scarlett. Through these selections, Bauer shows the persistent tensions that both cause and result from a woman remaining unattached to grow into her own identity without a man, beginning with trouble in the mother-daughter relationship, extending to frustration in romantic relationships, and including the discovery of female friendship as a foundation for facing the future. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Mitchell, Margaret,  |d 1900-1949.  |t Gone with the wind. 
600 1 0 |a Frazier, Charles,  |d 1950-  |t Cold Mountain. 
600 1 0 |a Glasgow, Ellen,  |d 1873-1945.  |t Barren ground. 
600 1 0 |a Morrison, Toni.  |t Sula. 
600 1 0 |a Meads, Kat,  |d 1951-  |t Invented life of Kitty Duncan (Benedict Roberts Duncan) 
600 1 0 |a O'Hara, Scarlett  |c (Fictitious character) 
600 1 1 |a Meads, Kat,  |d 1951-  |t Invented life of Kitty Duncan (Benedict Roberts Duncan) 
600 1 1 |a Morrison, Toni.  |t Sula. 
600 1 1 |a Glasgow, Ellen Anderson Gholson,  |d 1873-1945.  |t Barren ground. 
600 1 1 |a Frazier, Charles,  |d 1950-  |t Cold Mountain. 
600 1 1 |a Mitchell, Margaret,  |d 1900-1949.  |t Gone with the wind. 
600 1 7 |a O'Hara, Scarlett  |c (Fictitious character)  |2 fast 
630 0 7 |a Invented life of Kitty Duncan (Benedict Roberts Duncan) (Meads, Kat)  |2 fast 
630 0 7 |a Barren ground (Glasgow, Ellen)  |2 fast 
630 0 7 |a Cold Mountain (Frazier, Charles)  |2 fast 
630 0 7 |a Gone with the wind (Mitchell, Margaret)  |2 fast 
630 0 7 |a Sula (Morrison, Toni)  |2 fast 
650 0 |a Women in literature. 
650 0 |a Social role in literature. 
650 0 |a Man-woman relationships in literature. 
650 0 |a Female friendship in literature. 
650 6 |a Femmes dans la littérature. 
650 6 |a Relations entre hommes et femmes dans la littérature. 
650 6 |a Amitié féminine dans la littérature. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Feminist.  |2 bisacsh 
650 7 |a Female friendship in literature  |2 fast 
650 7 |a Man-woman relationships in literature  |2 fast 
650 7 |a Social role in literature  |2 fast 
650 7 |a Women in literature  |2 fast 
653 |a LITERARY CRITICISM / General 
653 |a SOCIAL SCIENCE / General 
653 |a Social sciences 
776 0 8 |i Print version:  |a Bauer, Margaret Donovan, 1963-  |t Study of Scarletts  |z 9781611173734  |w (DLC) 2014004294  |w (OCoLC)878224497 
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