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Perform, Repeat, Record : Live Art in History.
Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Perform, Repeat, Record : |b Live Art in History. |
| 260 | |a Bristol : |b Intellect, |c 2012. | ||
| 300 | |a 1 online resource (656 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a FrontCover; Half-title; Title; Copyright; Contents; INTRODUCTIONS; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; THEORIES AND HISTORIES; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation. | |
| 505 | 8 | |a Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; DOCUMENTS; Introduction; Chapter 14: A Text on 20 years with 66 footnotes. | |
| 505 | 8 | |a Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: T he Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology. | |
| 505 | 8 | |a Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance/Installation Nexus. | |
| 505 | 8 | |a Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDIALOGUES; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist. | |
| 500 | |a Chapter 42: Every House Has a Door. | ||
| 520 | |a Bringing together contributors from dance, theatre, visual studies, and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Performance art |x History. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Reference |2 bisacsh | |
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| 655 | 0 | |a Electronic books. |0 (Sage)725285 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Jones, Amelia. | |
| 700 | 1 | |a Heathfield, Adrian. | |
| 776 | 0 | 8 | |i Print version: |a Jones, Amelia. |t Perform, Repeat, Record : Live Art in History. |d Bristol : Intellect, ©2012 |z 9781841504896 |
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