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Screening neoliberalism : transforming Mexican cinema 1988-2012 /
"Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Nashville, Tennessee :
Vanderbilt University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sánchez Prado, Ignacio M., |d 1979- |e author. | |
| 245 | 1 | 0 | |a Screening neoliberalism : |b transforming Mexican cinema 1988-2012 / |c Ignacio M. Sánchez Prado. |
| 264 | 1 | |a Nashville, Tennessee : |b Vanderbilt University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (viii, 291 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 260-280), filmography (pages 249-260) , and index. | ||
| 588 | 0 | |a Online resource; title from e-book title screen (EBL platform, viewed November 13, 2015). | |
| 505 | 0 | |a Introduction: The reinvention of Mexican cinema -- Nationalism eroded : Mexican cinema in times of crisis -- Publicists in love : Romantic comedy, cinema privatization, and the aesthetics of the middle class -- The neoliberal gaze : Reframing politics in the "democratic transition" -- The three amigos and the lone ranger : Mexican "Global Auteurs" on the national stage -- Conclusion: Mexican cinema after neoliberalism. | |
| 520 | |a "Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability"--Publisher's description. | ||
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| 650 | 0 | |a Motion pictures |z Mexico |x History and criticism. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Mexico. | |
| 650 | 6 | |a Cinéma |z Mexique |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Mexique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a HISTORY / Latin America / Mexico |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 651 | 7 | |a Mexico |2 fast | |
| 650 | 7 | |a Film |2 gnd | |
| 651 | 7 | |a Mexiko |2 gnd | |
| 651 | 7 | |a Mexico. |2 gtt | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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