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Acts : theater, philosophy, and the performing self /
Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the ac...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
The University of Michigan Press,
2014.
|
| Colección: | Theater--theory/text/performance.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zamir, Tzachi, |d 1967- |e author. | |
| 245 | 1 | 0 | |a Acts : |b theater, philosophy, and the performing self / |c Tzachi Zamir. |
| 264 | 1 | |a Ann Arbor : |b The University of Michigan Press, |c 2014. | |
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| 490 | 1 | |a Theater: theory/text/performance | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Life on the stage. What actors do -- Kinds of existential amplification -- The experience of amplification -- Watching actors -- Listening to actors -- Staging fictions. Staging words -- Staging literature -- Staging objects -- Between life and stage. Unethical acts -- Pornography and acting -- Life as stage. The theatricalization of love -- The theatricalization of death -- Conclusion. | |
| 588 | 0 | |a Print version record. | |
| 520 | 0 | |a Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the actor's voice, the ethical unease sometimes felt while embodying particular sequences, and the meaning of inspriration. Tzachi Zamir explores acting's relationship to everyday role-playing through a surprising range of examples of "lived acting," including pornography, masochism, and eating disorders. By unearthing the deeper mobilizing structures that underlie dissimilar forms of staged and non-staged role-playing, Acts offers a multilayered meditation on the percolation from acting to life. -- from back cover | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 0 | |a Acting |x Philosophy. | |
| 650 | 0 | |a Acting. | |
| 650 | 6 | |a Art dramatique |x Philosophie. | |
| 650 | 6 | |a Art dramatique. | |
| 650 | 7 | |a acting. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Acting. |2 fast |0 (OCoLC)fst00796146 | |
| 650 | 7 | |a Acting |x Philosophy. |2 fast |0 (OCoLC)fst00796155 | |
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| 776 | 0 | 8 | |i Print version: |a Zamir, Tzachi, 1967- |t Acts |z 9780472072132 |
| 830 | 0 | |a Theater--theory/text/performance. | |
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