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Lies and Epiphanies : Composers and Their Inspiration from Wagner to Berg.
Lies and Epiphanies' offers case studies of ""inspiration"" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm Furtwängler, Richard Strauss, and Alban Berg. Their own tales of their ""epiphanies"" played a determining role in the reception histo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
Boydell & Brewer,
2014.
|
| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Walton, Chris. | |
| 245 | 1 | 0 | |a Lies and Epiphanies : |b Composers and Their Inspiration from Wagner to Berg. |
| 260 | |a Woodbridge : |b Boydell & Brewer, |c 2014. | ||
| 300 | |a 1 online resource (182 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a Eastman Studies in Music | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Frontcover; Acknowledgements; Introduction; 1 Richard Wagner's Dynastic Dreams; 2 Gustav Mahler's Resurrection and the Apostolic Succession; 3 Of Forked Tongues and Angels: Alban Berg's Violin Concerto; 4 Wilhelm Furtwängler and the Return of the Muse; 5 Here Comes the Sunset: The Late and the Last Works of Richard Strauss; Postlude: The Telephone Call; Notes; Bibliography; Index; Backcover. | |
| 520 | |a Lies and Epiphanies' offers case studies of ""inspiration"" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm Furtwängler, Richard Strauss, and Alban Berg. Their own tales of their ""epiphanies"" played a determining role in the reception history of their works: the finale of Mahler's Second Symphony, for instance, was supposedly inspired by a ""lightning bolt"" of inspiration at the funeral of Hans von Bülow. Chris Walton looks behind these lightning bolts to explore these composers' dual roles as author and self-commentator, revealing how the supposedly extra-rational world of crea. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Composition (Music) | |
| 650 | 0 | |a Composers. | |
| 650 | 0 | |a Inspiration. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
| 650 | 6 | |a Composition (Musique) | |
| 650 | 6 | |a Compositeurs. | |
| 650 | 6 | |a Inspiration. | |
| 650 | 7 | |a composers (people in music) |2 aat | |
| 650 | 7 | |a inspiration. |2 aat | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Individual Composer & Musician. |2 bisacsh | |
| 650 | 7 | |a Composers. |2 fast |0 (OCoLC)fst00871620 | |
| 650 | 7 | |a Composition (Music) |2 fast |0 (OCoLC)fst00871761 | |
| 650 | 7 | |a Creation (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00882393 | |
| 650 | 7 | |a Inspiration. |2 fast |0 (OCoLC)fst00974230 | |
| 830 | 0 | |a Eastman studies in music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt4cg699 |z Texto completo |
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