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The secular commedia : comic mimesis in late eighteenth-century music /

Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Allanbrook, Wye Jamison (Autor)
Otros Autores: Smart, Mary Ann, Taruskin, Richard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, 2014.
Colección:Ernest Bloch lecture series ; 15.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Allanbrook, Wye Jamison,  |e author. 
245 1 4 |a The secular commedia :  |b comic mimesis in late eighteenth-century music /  |c Wye Jamison Allanbrook ; edited by Mary Ann Smart and Richard Taruskin. 
264 1 |a Berkeley :  |b University of California Press,  |c 2014. 
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505 0 |a Cover; THE SECULAR COMMEDIA; Title; Copyright; CONTENTS; List of Music Examples; Foreword; 1. Comic Flux and Comic Precision; 2. Comic Voice in the Late Mimetic Period; 3. The Comic Surface; 4. Comic Finitude and Comic Closure; Notes; Bibliography; Index. 
520 |a Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin. 
504 |a Includes bibliographical references (pages 219-230) and index. 
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650 0 |a Mimesis in music. 
650 0 |a Music  |y 18th century  |x History and criticism. 
650 0 |a Music  |y 18th century  |x Philosophy. 
650 6 |a Mimêsis dans la musique. 
650 6 |a Musique  |y 18e siècle  |x Histoire et critique. 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 7 |a MUSIC  |x Reference.  |2 bisacsh 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Smart, Mary Ann. 
700 1 |a Taruskin, Richard. 
776 0 8 |i Print version:  |a Allanbrook, Wye Jamison.  |t Secular Commedia : Comic Mimesis in Late Eighteenth-Century Music.  |d Berkeley : University of California Press, ©2014  |z 9780520274075 
830 0 |a Ernest Bloch lecture series ;  |v 15. 
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