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Improvising cinema /
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as in...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2013]
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Mouëllic, Gilles. | |
| 240 | 1 | 0 | |a Improviser le cinéma. |l French |
| 245 | 1 | 0 | |a Improvising cinema / |c Gilles Mouëllic. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2013] | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (1 electronic resource (200 pages)) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references (pages 187-190) and indexes. | ||
| 588 | 0 | |a Print version record; resource not viewed. | |
| 505 | 0 | |a Introduction -- Writing and improvisation -- Creation in action -- The influence of Jean Rouch -- Acting cinema -- The temptation of theatre -- The rules of the game -- Filming jazz -- Conclusion. | |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | |a This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Open Access | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 0 | |a Improvisation (Acting) | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 6 | |a Improvisation (Art dramatique) | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Documentaires |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Documentary films |2 fast | |
| 650 | 7 | |a Experimental films |2 fast | |
| 650 | 7 | |a Improvisation (Acting) |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |t Improvising cinema. |d Amsterdam : Amsterdam University Press, ©2013 |z 9789089645159 |w (DLC) 2013445882 |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wp7x9 |z Texto completo |
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