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Experimental writing in composition : aesthetics and pedagogies /

From the outset, experimental writing has been viewed as a means to afford a more creative space for students to express individuality, underrepresented social realities, and criticisms of dominant socio-political discourses and their institutions. Yet, the recent trend toward multimedia texts has l...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sullivan, Patricia Suzanne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Pittsburgh, Pennsylvania : University of Pittsburgh Press, [2012]
Colección:Pittsburgh series in composition, literacy, and culture.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Experimental writing in composition :  |b aesthetics and pedagogies /  |c Patricia Suzanne Sullivan. 
264 1 |a Pittsburgh, Pennsylvania :  |b University of Pittsburgh Press,  |c [2012] 
264 4 |c ©2012 
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490 1 |a Pittsburgh Series in Composition, Literacy, and Culture 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Experimental Expressivism : Autonomy and Alienation -- Experimental Writing and the Politics of Academic Discourse : Composition's Institutions -- The Crisis of Judgment in Composition : Evaluating Experimental Student Writing -- Collage : Pedagogies, Aesthetics, and Reading Students' Texts -- Postscript : Toward a Multimodal Composition. 
520 |a From the outset, experimental writing has been viewed as a means to afford a more creative space for students to express individuality, underrepresented social realities, and criticisms of dominant socio-political discourses and their institutions. Yet, the recent trend toward multimedia texts has left many composition instructors with little basis from which to assess these new forms and to formulate pedagogies. In this book, the author provides a critical history of experimental writing theory and its aesthetic foundations and demonstrates their application to current multimodal writing. The author unpacks the work of major scholars in composition and rhetoric and their theories on aesthetics, particularly avant-gardism. She also relates the dialectics that shape these aesthetics and sheds light on both the positive and negative aspects of experimental writing and its attempts to redefine the writing disciplines. Additionally, she shows how current debates over the value of multimedia texts echo earlier arguments that pitted experimental writing against traditional models. The author further articulates the ways that multimedia is and isn't changing composition pedagogies, and provides insights into resolving these tensions. 
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