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|b .B55 1982eb
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|a Blom, Lynne Anne,
|d 1942-1993,
|e author.
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|a The intimate act of choreography /
|c Lynne Anne Blom and L. Tarin Chaplin.
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|a Pittsburgh, Pennsylvania :
|b University of Pittsburgh Press,
|c [1982]
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|c ©1982
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|a 1 online resource (251 pages) :
|b illustrations
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|a text
|b txt
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|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Foreword -- Preface -- Acknowledgments -- Terminology -- 1. Approach -- Isolating choreographic elements -- Combining theory and practice -- Using improvisation -- 2. Essentials -- Intention, motivation, and clarity -- Theme -- Simplicity -- Artistic impact -- 3. Speaking body -- Body parts -- Building trust and sensitivity -- 4. Phrase -- Basic structure -- High point -- Variety in phrase length -- Choreographic phrase vs. movement combinations -- 5. Space -- Level -- Geometry of space -- Design in space : shape -- Focus -- Active space -- Turning -- Floor pattern -- Stage space -- Personal space -- Environment -- 6. Time -- Tempo -- Momentum -- Duration -- Clock time -- Regular/irregular -- Accent -- Meter -- Natural rhythms -- Stillness -- 7. Energy -- Energy (active/passive) -- Force (strong/gentle) -- Movement qualities : dynamics in action -- 8. Forming -- Form's natural existence and artistic use -- Organic form -- Transitions -- Sequencing -- Compositional structures vs. choreographic devices -- Compositional structures -- Theme and variation vs. motif and development -- Choreographic devices -- Overall form -- 9. Abstraction -- In art and aesthetics -- Imagery -- Gestures -- Degrees of abstraction -- Pure dance -- Romanticism/classicism -- Abstraction vs. stylization -- 10. Style -- Personal movement style -- Choreographic style -- Codified technique -- Theories of movement -- Cultural style -- Great periods in art -- 11. Silence, sound, and music -- Silence -- Sound -- Music -- 12. Group work -- Group trust, movement, design -- Multibody movement : design and structure -- Partner work -- Numerical possibilities and staging -- Balance and placement in overall design -- Small groups -- Chorus vs. group -- New resources : dances from your dancers -- Using choreographic devices and compositional structures -- Formations -- The one and the many -- Working with masses -- 13. Theatrical elements -- 14. Performance -- 15. Tangents -- Teacher's addendum : the delicate art of teaching choreography -- Appendix. List of improvisations and choreographic studies -- Notes -- Index.
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|a JSTOR
|b Books at JSTOR All Purchased
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|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Choreography.
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| 650 |
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|a Chorégraphie.
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| 650 |
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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| 650 |
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|a PERFORMING ARTS
|x Dance
|x Modern.
|2 bisacsh
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| 650 |
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|a Choreography
|2 fast
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|a Chaplin, L. Tarin,
|e author.
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|i Print version:
|a Blom, Lynne Anne.
|t Intimate act of choreography.
|d Pittsburgh, Pennsylvania : University of Pittsburgh Press, [1982]
|h xx, 230 pages ; 21 cm
|z 9780822953425
|w (DLC) 10852993
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| 856 |
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0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt5hjqp1
|z Texto completo
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