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Polish cinema in a transnational context /
The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, present ideal conditions for an examination of Polish cinema from a transnational vantage point. Yet not only...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, New York :
University of Rochester Press,
2014.
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| Colección: | Rochester Studies in East and Central Europe,
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Polish cinema in a transnational context / |c edited by Ewa Mazierska and Michael Goddard. |
| 264 | 1 | |a Rochester, New York : |b University of Rochester Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (344 pages) : |b illustrations | ||
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| 490 | 0 | |a Rochester Studies in East and Central Europe, |x 1528-4808 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Introduction: Polish cinema beyond Polish borders / Ewa Mazierska and Michael Goddard -- The international reception of Polish films. West of the East: Polish and Eastern European film in the United Kingdom / Peter Hames -- The shifting British reception of Wajda's work from Man of marble to Katy / Darragh O'Donoghue -- Affluent viewers as global provincials: the American reception of Polish cinema / Helena Goscilo -- Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s, and 1960s / Dorota Ostrowska -- How Polish is Polish? Silver City and the national identity of documentary film / Charlotte Govaert -- Polish international coproductions and presence in foreign films. Postcolonial heterotopias: a paracinematic reading of Marek Piestrak's Estonian coproductions / Eva Nripea -- Poland-Russia: coproductions, collaborations, exchanges / Izabela Kalinowska-Blackwood -- Train to Hollywood: Polish actresses in foreign films / Ewa Mazierska -- Polish performance in French space: Jerzy Radziwiowicz as a transnational actor / Alison Smith -- Polish actor-directors playing Russians: Solimowski and Stuhr / Lars Kristensen -- "Migr" and subversive Polish directors. An island near the left bank: Walerian Borowczyk as a French left bank filmmaker / Jonathan Pwen -- Beyond Polish moral realism: the subversive cinema of Andrzej Uawski / Michael Goddard -- Polanski and Skolimowski in swinging London / Robert Murphy -- The elusive trap of freedom: Krzysztof Zanussi's international coproductions / Kamila Kuc -- Agnieszka Holland's transnational nomadism / Elbieta Ostrowska. | |
| 520 | |a The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, present ideal conditions for an examination of Polish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish, and many other Eastern European cinemas, have also been virtually excluded from accounts of transnational cinema. 'Polish Cinema in a Transnational Context' addresses this lacuna in film studies by examining the international reception of Polish films in Europe and North America, Polish international coproductions and the presence of Polish performers in foreign films, and the works of subversive émigré auteurs like Andrzej Zulawski and Walerian Borowczyk. Authors in this collection present familiar films and filmmakers in a new and revealing light, while also shifting the focus to lesser known filmmakers and aspects of Polish cinema. The resulting volume moves discussion beyond the border of Polish national belonging. Contributors: Peter Hames, Darragh O'Donoghue, Helena Goscilo, Dorota Ostrowska, Charlotte Govaert, Eva Näripea, Izabela Kalinowska-Blackwood, Ewa Mazierska, Alison Smith, Lars Kristensen, Jonathan Owen, Michael Goddard, Robert Murphy, Kamila Kuc, Elzbieta Ostrowska. Ewa Mazierska is professor of film studies at the University of Central Lancashire. Michael Goddard is senior lecturer at the University of Salford. | ||
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| 650 | 0 | |a Motion pictures |z Poland |x History |y 20th century |v Congresses. | |
| 650 | 6 | |a Cinéma |z Pologne |x Histoire |y 20e siècle |v Congrès. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Media Studies. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Poland |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Goddard, Michael. | |
| 700 | 1 | |a Mazierska, Ewa. | |
| 776 | 0 | 8 | |i Print version: |t Polish cinema in a transnational context. |d Rochester, New York : University of Rochester Press, ©2014 |h vi, 333 pages |k Rochester Studies in East and Central Europe. |x 1528-4808 |z 9781580464680 |
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