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Drawing boundaries : architectural images in Qing China /

"Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Chung, Anita (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Honolulu : University of Hawaii Press, [2004]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chung, Anita,  |e author. 
245 1 0 |a Drawing boundaries :  |b architectural images in Qing China /  |c Anita Chung. 
264 1 |a Honolulu :  |b University of Hawaii Press,  |c [2004] 
264 4 |c ©2004 
300 |a 1 online resource (210 pages (8 unnumbered pages of color plates)) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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347 |a text file 
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504 |a Includes bibliographical references (pages 189-199) and index. 
505 0 |a Jiehua tradition -- Patrons and painters -- Qing Imperial domains -- Idealized scheme -- Moving gardens -- Transmitting history and myth. 
520 1 |a "Qing China (1644-1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence 
520 8 |a Beginning with a concise and well-illustrated history of the evolution of the tradition, this new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. 
520 8 |a Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms." "Drawing Boundaries is the first full-length study of an important tradition of premodern Chinese art and architecture."--Jacket 
588 0 |a Print version record. 
546 |a In English. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Architecture in art. 
650 0 |a Buildings in art. 
650 0 |a Painting, Chinese  |y Ming-Qing dynasties, 1368-1912. 
650 0 |a Architectural drawing  |z China. 
650 6 |a Architecture dans l'art. 
650 6 |a Constructions dans l'art. 
650 6 |a Peinture chinoise  |y 1368-1912 (Dynasties des Ming et des Qing) 
650 6 |a Peinture d'architecture  |z Chine. 
650 7 |a ART  |x Subjects & Themes  |x General.  |2 bisacsh 
650 7 |a ARCHITECTURE  |x Regional.  |2 bisacsh 
650 7 |a Architectural drawing  |2 fast 
650 7 |a Architecture in art  |2 fast 
650 7 |a Buildings in art  |2 fast 
650 7 |a Painting, Chinese  |x Ming-Qing dynasties  |2 fast 
651 7 |a China  |2 fast 
650 7 |a Qingdynastie  |2 gnd 
650 7 |a Architekturmalerei  |2 gnd 
651 7 |a China  |2 gnd 
648 7 |a 1368-1912  |2 fast 
776 0 8 |i Print version:  |a Chung, Anita.  |t Drawing boundaries.  |d Honolulu : University of Hawaii Press, ©2004  |z 0824826639  |w (DLC) 2004005885  |w (OCoLC)54758542 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt6wqrvg  |z Texto completo 
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