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Marco Bellocchio : the cinematic I in the political sphere /
Includes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto ; Buffalo :
University of Toronto Press,
[2009]
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| Colección: | Toronto Italian studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Brook, Clodagh J., |e author. | |
| 245 | 1 | 0 | |a Marco Bellocchio : |b the cinematic I in the political sphere / |c Clodagh J. Brook. |
| 264 | 1 | |a Toronto ; |a Buffalo : |b University of Toronto Press, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (x, 226 pages) | ||
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| 490 | 1 | |a Toronto Italian studies | |
| 504 | |a Includes bibliographical references (pages 205-216) and index. | ||
| 504 | |a Filmography: pages 203-204. | ||
| 505 | 0 | |a Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Includes work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Bellocchio, Marco, |d 1939- |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Bellocchio, Marco, |d 1939- |x Critique et interprétation. |
| 600 | 1 | 7 | |a Bellocchio, Marco, |d 1939- |2 fast |0 (OCoLC)fst00066720 |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Brook, Clodagh J. |t Marco Bellocchio |z 9780802097101 |w (DLC) 2010294240 |w (OCoLC)458726786 |
| 830 | 0 | |a Toronto Italian studies. | |
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