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Method for the one-keyed flute : baroque and classical /
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-ce...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
[1998]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover Page; Title Page; Copyright Page; Dedication Page; Contents; Preface; Acknowledgments; Chapter I: About the One-Keyed Flute; On the Flute; A Bit of History; Names; Materials used; Range; Concerning the Highest Notes; On the Parts of the Flute; Three-Piece Flute; Four-Piece Flute; The Tenon; The Cork; The Screw Cap; The Foot Register; On Pitch; Modern Replicas; Corps de Réchange; On Choosing a Flute; Pitch; Style; Woods; Used Flutes; On Care; Checklist; Oiling the Flute; Chapter II: Learning to Play the One-Keyed Flute; On Getting Started; How to Proceed; Assembly; On Holding the Flute
- Physical ProblemsLeft Hand; Right Hand; Checklist; An Interesting Side Line; On Tone; Checklist; Embouchure; Amusing Side Line; On Homogeneity of Sound (Tone Color Tendencies); Strong Notes; Weak Notes; Changes at Century's End; On Key (Tonality); On Vibrato; The Flattement; How is the Flottement Executed?; How is the Flattement Used?; The Flattement with the messa di voce; Notation; Are we Certain that Breath Vibrato was not used?; Recommended readings; On Intonation; How to Tune; Playing "in Tune"; Enharmonic Notes; Practical Application; Practicing Good Intonation; Adjusting for Intonation
- On Playing Forte and PianoUsing the Screw Cap; On Rhythmic Hierarchy; "Good" Notes, "Bad" Notes; Practical Application; Quick Notes; Beating Time; Recommended Readings; On Articulation; Articulation Silences; Unslurred Notes; Eighteenth-Century Patterns for Quick Notes; Double Tonguing; Recommended Readings; On Further Readings; Chapter III: Fingerings for the One-Keyed Flute; On Fingerings; Why so Many Choices?; Lowering the Pitch; Use of the Key; Extending the Range; Alternate f Sharp; How Many Fingerings?; On Trills; Wide Trills; Execution; Recommended readings; Explanation of the Charts
- Basic Fingering ChartComplete Fingering Chart; Table of Trills; Flattement Chart; Chapter IV: Exercises and Tunes to Play; About the Music; Duet Playing; Exercises and Tunes (Eighteenth-Century Sources); D Major; G Major; e minor; A Major; Chapter V: Modern Studies for One-Keyed Flute; Introduction to Modern Studies; Practice Routine; Modern Exercises; Major Sequences for the One-Keyed Flute; Broken Chord Studies in the Major Keys; Broken Chord Studies in Minor Keys; Appendix A: The "Top 13" Eighteenth-Century Flute Tutors; Appendix B: On Repertoire for the Beginning One-Keyed Flutist
- Easy SolosCollections; Studies; Easy Duets; Annotated Bibliography: Before 1853; After 1853