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Partimento and continuo playing in theory and in practice /
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interac...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor Corporativo: | |
| Otros Autores: | , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2010.
|
| Colección: | Collected writings of the Orpheus Institute ;
#9. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 111 | 2 | |a International Orpheus Academy for Music Theory |n (4th : |d 2006) | |
| 245 | 1 | 0 | |a Partimento and continuo playing in theory and in practice / |c Thomas Christensen [and others] ; [editors, Dirk Moelants, Kathleen Snyers]. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2010. | |
| 300 | |a 1 online resource (136 pages) : |b illustrations, music | ||
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| 490 | 1 | |a Collected writings of the Orpheus Institute ; |v #9 | |
| 500 | |a Collected essays based on lectures given at the 4th International Orpheus Academy for Music Theory in 2006. | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Thoroughbass as music theory / |r Thomas Christensen -- |t Partimenti written to impart knowledge of counterpoint and composition / |r Robert Gjerdingen -- |t Partimento-fugue: the Neapolitan angle / |r Giorgio Sanguinettti -- |t The playing of partimento / |r Rudolf Lutz. |
| 520 | |a This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions to this book. Thomas Christensen, in his contribution, shows how the development of tonal. | ||
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| 650 | 0 | |a Continuo. | |
| 650 | 0 | |a Composition (Music) | |
| 650 | 0 | |a Performance practice (Music) | |
| 650 | 0 | |a Counterpoint. | |
| 650 | 0 | |a Musical accompaniment. | |
| 650 | 0 | |a Music theory |x Composition |x History and criticism. | |
| 650 | 6 | |a Basse continue. | |
| 650 | 6 | |a Composition (Musique) | |
| 650 | 6 | |a Pratique de l'exécution (Musique) | |
| 650 | 6 | |a Contrepoint. | |
| 650 | 6 | |a Accompagnement (Musique) | |
| 650 | 6 | |a Théorie musicale |x Composition |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
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| 650 | 7 | |a Continuo. |2 fast |0 (OCoLC)fst00876756 | |
| 650 | 7 | |a Counterpoint. |2 fast |0 (OCoLC)fst00881333 | |
| 650 | 7 | |a Musical accompaniment. |2 fast |0 (OCoLC)fst01030695 | |
| 650 | 7 | |a Performance practice (Music) |2 fast |0 (OCoLC)fst01057874 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Christensen, Thomas Street. | |
| 700 | 1 | |a Moelants, Dirk, |d 1946- | |
| 700 | 1 | |a Snyers, Kathleen. | |
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| 830 | 0 | |a Collected writings of the Orpheus Institute ; |v #9. | |
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