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Unfolding time : studies in temporality in twentieth-century music /
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2009.
|
| Colección: | Collected writings of the Orpheus Institute ;
#8. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Unfolding time : |b studies in temporality in twentieth-century music / |c Mark Delaere ... [et al. ; edited by Darla Crispin]. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2009. | |
| 300 | |a 1 online resource (197 pages) : |b illustrations, music | ||
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| 490 | 1 | |a Collected writings of the Orpheus Institute ; |v #8 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Tempo, meter, rhythm : |t time in twentieth-century music / |r Mark Delaere -- |t Temporal complexity in modern and post-modern music : |t a critique from cognitive aesthetics / |r Justin London -- |t Rhythms--Durations--Rhythmic cells--Groups : |t concepts of microlevel time-organisation in serial music and their consequences on shaping time on higher structural levels / |r Pascal Decroupet -- |t Time is time : |t temporal signification in music / |r Bruce Brubaker -- |t Notation, time and the performer's relationship to the score in contemporary music / |r Ian Pace. |
| 588 | 0 | |a Print version record. | |
| 520 | |a Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in 'real time'; while for composers a work appears 'whole and entire', with the presence of the score having the potential to compress, and even eliminate, the perception of time as 'passing'. The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject. | ||
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| 650 | 0 | |a Time in music. | |
| 650 | 0 | |a Music theory |y 20th century. | |
| 650 | 6 | |a Temps dans la musique. | |
| 650 | 6 | |a Théorie musicale |y 20e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Music theory |2 fast | |
| 650 | 7 | |a Time in music |2 fast | |
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| 700 | 1 | |a Delaere, Mark. |4 ctb | |
| 700 | 1 | |a Crispin, Darla. |4 edt | |
| 776 | 0 | 8 | |i Print version: |t Unfolding time |z 9789058677358 |w (OCoLC)370742154 |
| 830 | 0 | |a Collected writings of the Orpheus Institute ; |v #8. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qdxmr |z Texto completo |
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