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Towards tonality : aspects of Baroque music theory /

This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrap...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Christensen, Thomas Street, Dejans, Peter, 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leuven : Leuven University Press, 2007.
Colección:Collected writings of the Orpheus Institute ; #6.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Towards tonality :  |b aspects of Baroque music theory /  |c Thomas Christensen ... [et al. ; edited by Peter Dejans]. 
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490 1 |a Collected writings of the Orpheus Institute ;  |v 6 
504 |a Includes bibliographical references. 
505 0 0 |t Genres of music theory, 1650-1750 /  |r Thomas Christensen --  |t Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 /  |r Penelope Gouk --  |t L'édition de la polyphonie française du 17e siè̀cle /  |r Gérard Geay --  |t Towards a history of harmonic tonality /  |r Susan McClary --  |t Towards a history of the origin and development of the rule of the octave /  |r Markus Jans --  |t Thoroughbass as a path to composition in the early eighteenth century /  |r Joel Lester --  |t Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna /  |r Marc Vanscheeuwijck. 
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520 |a This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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650 0 |a Tonality. 
650 0 |a Harmony. 
650 0 |a Music theory  |x History  |y 17th century. 
650 0 |a Music theory  |x History  |y 18th century. 
650 6 |a Tonalité. 
650 6 |a Harmonie. 
650 6 |a Théorie musicale  |x Histoire  |y 17e siècle. 
650 6 |a Théorie musicale  |x Histoire  |y 18e siècle. 
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650 7 |a Music theory.  |2 fast  |0 (OCoLC)fst01030620 
650 7 |a Tonality.  |2 fast  |0 (OCoLC)fst01152480 
650 7 |a Tonalität  |2 gnd 
650 7 |a Musiktheorie  |2 gnd 
650 1 7 |a Tonaliteit.  |2 gtt 
650 1 7 |a Barok.  |2 gtt 
650 7 |a Musiktheorie.  |2 idszbz 
650 7 |a Tonalität.  |2 idszbz 
650 7 |a Harmonik.  |2 idszbz 
650 0 7 |a Tonalität.  |2 swd 
650 0 7 |a Musiktheorie.  |2 swd 
648 7 |a 1600-1799  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
700 1 |a Christensen, Thomas Street. 
700 1 |a Dejans, Peter,  |d 1964- 
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830 0 |a Collected writings of the Orpheus Institute ;  |v #6. 
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