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|a 639523038
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|a 978694272
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|z (OCoLC)639523038
|z (OCoLC)681210002
|z (OCoLC)978694272
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|a UAMI
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|a Towards tonality :
|b aspects of Baroque music theory /
|c Thomas Christensen ... [et al. ; edited by Peter Dejans].
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|a Leuven :
|b Leuven University Press,
|c 2007.
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|a 1 online resource (204 pages) :
|b illustrations, music
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|a text
|b txt
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|b c
|2 rdamedia
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|a online resource
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|a Collected writings of the Orpheus Institute ;
|v 6
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|a Includes bibliographical references.
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|t Genres of music theory, 1650-1750 /
|r Thomas Christensen --
|t Science and music, or the science of music : some little-known examples of "music theory" between 1650 and 1750 /
|r Penelope Gouk --
|t L'édition de la polyphonie française du 17e siè̀cle /
|r Gérard Geay --
|t Towards a history of harmonic tonality /
|r Susan McClary --
|t Towards a history of the origin and development of the rule of the octave /
|r Markus Jans --
|t Thoroughbass as a path to composition in the early eighteenth century /
|r Joel Lester --
|t Giovanni Paolo Colonna and Petronio Franceschini : building acoustics and compositional style in late seventeenth-century Bologna /
|r Marc Vanscheeuwijck.
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a This is a collection of essays based on lectures presented at the International Orpheus Academy for Music and Theory on ""Historical Theory, Performance, and Meaning in Baroque Music"". The often complex connections and intersections between, e.g., modal and tonal idioms, contrapuntal and harmonic organisation, were considered from various perspectives as to the transition (towards tonality) from the Renaissance to the Baroque era.
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|a English.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Tonality.
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|a Harmony.
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|a Music theory
|x History
|y 17th century.
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|a Music theory
|x History
|y 18th century.
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|a Tonalité.
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|a Harmonie.
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|a Théorie musicale
|x Histoire
|y 17e siècle.
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|a Théorie musicale
|x Histoire
|y 18e siècle.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a Harmony.
|2 fast
|0 (OCoLC)fst00951531
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|a Music theory.
|2 fast
|0 (OCoLC)fst01030620
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|a Tonality.
|2 fast
|0 (OCoLC)fst01152480
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|a Tonalität
|2 gnd
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|a Musiktheorie
|2 gnd
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|a Tonaliteit.
|2 gtt
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|a Barok.
|2 gtt
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|a Musiktheorie.
|2 idszbz
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|a Tonalität.
|2 idszbz
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|a Harmonik.
|2 idszbz
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|a Tonalität.
|2 swd
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|a Musiktheorie.
|2 swd
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|a 1600-1799
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Christensen, Thomas Street.
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|a Dejans, Peter,
|d 1964-
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|i Print version:
|t Towards tonality
|z 9058675874
|w (DLC) 2007444913
|w (OCoLC)153885395
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|a Collected writings of the Orpheus Institute ;
|v #6.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qf0zw
|z Texto completo
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