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|a Transcultural montage /
|c Christian Suhr and Rane Willerslev.
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|a New York, NY :
|b Berghahn Books,
|c 2013.
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|a 1 online resource (viii, 326 pages) :
|b illustrations
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|a The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors-anthropologists, filmmakers, photographers, and curators-explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage to.
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|a Includes bibliographical references and index.
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|a Part I. Montage as an analytic -- part II. Montage in writing -- part III. Montage in film -- part IV. Montage in museum exhibitions.
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|a Ethnology
|x Philosophy.
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|a Ethnology
|x Authorship.
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|a Motion pictures in ethnology.
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|a Ethnologie
|x Philosophie.
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|a Cinéma en ethnologie.
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a Ethnology
|x Authorship
|2 fast
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|a Ethnology
|x Philosophy
|2 fast
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|a Motion pictures in ethnology
|2 fast
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|a Suhr, Christian,
|d 1978-
|e editor.
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|a Willerslev, Rane,
|d 1971-
|e editor.
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|i Print version:
|z 9780857459640
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qcrcq
|z Texto completo
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