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Death and the moving image : ideology, iconography and I /
Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Aaron, Michele, |e author. | |
| 245 | 1 | 0 | |a Death and the moving image : |b ideology, iconography and I / |c Michele Aaron. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (ix, 256 pages) : |b illustrations (black and white) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 199-244), filmography (pages 245-250) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Title Page; Imprint; Contents; Figures; Acknowledgements; Introduction; Part I Before -- Flirting with Death; 1 Self-endangerment and the Subject of Film; 2 Cinema and Suicide; 3 Sacrifice and Spectatorship in Context ; Part II During -- Depicting Death; 4 The Cinematic Language of Dying; 5 Grammar Lessons: Dying and Difference; 6 Watching Others Die: Spectatorship, Vulnerability and the Ethics of Being Moved; Part III After -- Responding to Death; 7 At Last: Towards a Cinema of No Return; Notes; Bibliography; Filmography; Index. | |
| 520 | |a Winner of the 2015 Kraszna-Krausz Best Moving Image Book Award. Examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in twentieth and twenty-first century culture: the ongoing split between its over- and under-statement, between its cold, bodily, realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Key Features. Examines the formal, psychological and political exchange between cinema and death Accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. Considers how filmmaking practice or visual medium affect the representation of death and its cultural significance | ||
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| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Death in motion pictures. | |
| 650 | 0 | |a Motion pictures |x History |y 20th century. | |
| 650 | 0 | |a Motion pictures |x History |y 21st century. | |
| 650 | 6 | |a Mort au cinéma. | |
| 650 | 6 | |a Cinéma |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Cinéma |x Histoire |y 21e siècle. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Death in motion pictures. |2 fast |0 (OCoLC)fst00888701 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Aaron, Michele. |t Death and the moving image. |d Edinburgh : Edinburgh University Press, [2014] |z 0748624430 |w (OCoLC)794902884 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt9qdrc4 |z Texto completo |
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