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Subjective realist cinema : from expressionism to inception /
Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Berghahn Books,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Campora, Matthew, |e author. | |
| 245 | 1 | 0 | |a Subjective realist cinema : |b from expressionism to inception / |c Matthew Campora. |
| 260 | |a New York, NY : |b Berghahn Books, |c 2014. | ||
| 300 | |a 1 online resource (160 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films -- 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization -- 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive; Expressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion -- 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism --6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real -- Conclusion -- Filmography -- Bibliography -- Index. | |
| 520 | |a Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Subjectivity in motion pictures. | |
| 650 | 0 | |a Realism in motion pictures. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Realism in motion pictures. |2 fast |0 (OCoLC)fst01091239 | |
| 650 | 7 | |a Subjectivity in motion pictures. |2 fast |0 (OCoLC)fst01136580 | |
| 776 | 0 | 8 | |i Print version: |a Campora, Matthew. |t Subjective realist cinema. |d New York : Berghahn Books, 2014 |z 9781782382782 |w (DLC) 2013023314 |w (OCoLC)848268013 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt9qd03d |z Texto completo |
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