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Cinematic Appeals : the Experience of New Movie Technologies /
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator i...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
[2013]
|
| Colección: | Film and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rogers, Ariel, |e author. | |
| 245 | 1 | 0 | |a Cinematic Appeals : |b the Experience of New Movie Technologies / |c Ariel Rogers. |
| 260 | |a New York : |b Columbia University Press, |c [2013] | ||
| 300 | |a 1 online resource (xv, 330 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film and culture | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Moving Machines -- "Smothered In Baked Alaska" The Anxious Appeal of Widescreen Cinema -- East of Eden in Cinemascope: Intimacy Writ Large -- DIgital Cinema's Heterogeneous Appeal: Debates on Embodiment, Intersubjectivity, and Immediacy -- Awe and Aggression: The Experience of Erasure in The Phantom Menace and The Celebration -- Points of Convergence: Conceptualizing the Appeal of 3D Cinema Then and Now. | |
| 520 | |a Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen films drew the spectator into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. The technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with manipulating the viewer's physical ... | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion picture audiences. | |
| 650 | 0 | |a Technology in motion pictures. | |
| 650 | 0 | |a Cinematography |x Technological innovations. | |
| 650 | 0 | |a Digital cinematography. | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 6 | |a Technologie au cinéma. | |
| 650 | 6 | |a Cinéma |x Innovations. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a PSYCHOLOGY |x Social Psychology. |2 bisacsh | |
| 650 | 7 | |a Cinematography |x Technological innovations |2 fast | |
| 650 | 7 | |a Digital cinematography |2 fast | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Technology in motion pictures |2 fast | |
| 650 | 7 | |a Digitale Filmtechnik |2 gnd | |
| 650 | 7 | |a Technischer Fortschritt |2 gnd | |
| 650 | 7 | |a Technologie |2 gnd | |
| 650 | 7 | |a Zuschauer |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Filmtechnik |2 gnd | |
| 653 | |a Multi-User. | ||
| 776 | 0 | 8 | |i Print version: |a Rogers, Ariel. |t Cinematic appeals. |d New York : Columbia University Press, [2013] |z 9780231159166 |w (DLC) 2013008591 |w (OCoLC)841039486 |
| 830 | 0 | |a Film and culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/roge15916 |z Texto completo |
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