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John Paizs's Crime wave /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Toronto :
University of Toronto Press,
2014.
|
| Colección: | Canadian cinema (Toronto, Ont.) ;
11. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ball, Jonathan, |d 1979- |e author. | |
| 245 | 1 | 0 | |a John Paizs's Crime wave / |c Jonathan Ball. |
| 246 | 3 | 0 | |a Crime wave |
| 264 | 1 | |a Toronto : |b University of Toronto Press, |c 2014. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Canadian cinema ; |v 11 | |
| 504 | |a Includes bibliographical references and filmography. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b John Paizs's 'Crime Wave' examines the Winnipeg filmmaker's 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation. Crime Wave's comic plot is simple: aspiring screenwriter Steven Penny, played by Paizs, finds himself able to write only the beginnings and endings of his scripts, but never (as he puts it) "the stuff in-between." Penny is the classic writer suffering from writer's block, but the viewer sees him as the (anti)hero in a film told through stylistic parody of 1940s and 50s B-movies, TV sitcoms, and educational films. In John Paizs's 'Crime Wave, ' writer and filmmaker Jonathan Ball offers the first book-length study of this curious Canadian film, which self-consciously establishes itself simultaneously as following, but standing apart from, American cinematic and television conventions. Paizs's own story mirrors that of Steven Penny: both find themselves at once drawn to American culture and wanting to subvert its dominance. Exploring Paizs's postmodern aesthetic and his use of pastiche as a cinematic technique, Ball establishes Crime Wave as an overlooked but important cult classic | |
| 505 | 0 | |a 1 The Top! Few Films Made It! -- 2 Beginnings and Endings -- 3 The Greatest Color Crime Movie Never Made -- 4 The Stuff In-Between -- 5 Twists! -- 6 The Gap Exposing the Real -- 7 An Alternate Universe -- 8 From the North. | |
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| 600 | 1 | 0 | |a Paizs, John |x Criticism and interpretation. |
| 630 | 0 | 0 | |a Crime wave (Motion picture : 1985) |
| 600 | 1 | 7 | |a Paizs, John |2 fast |
| 650 | 0 | |a Cult films |z Canada. | |
| 650 | 0 | |a Motion pictures, Canadian. | |
| 650 | 6 | |a Films cultes |z Canada. | |
| 650 | 6 | |a Cinéma canadien. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x Canadian. |2 bisacsh | |
| 650 | 7 | |a Cult films |2 fast | |
| 650 | 7 | |a Motion pictures, Canadian |2 fast | |
| 651 | 7 | |a Canada |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ball, Jonathan, 1979- |t John Paizs's Crime wave |z 9781442648128 |w (OCoLC)865495487 |
| 830 | 0 | |a Canadian cinema (Toronto, Ont.) ; |v 11. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3138/j.ctt5vkj48 |z Texto completo |
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