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|a Cinematicity in media history /
|c edited by Jeffrey Geiger and Karin Littau.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2013]
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|a 1 online resource (xi, 244 pages) :
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|a "Chapters 1 to 3, Chapter 6 and Chapter 9 appeared in a special issue of Comparative critical studies 6.3 (October 2009), entitled 'Cinematicity' and a verson of Chapter 4 appeared in a special issue of e-Comparative critical studies: special online supplement 9.3 (October 2012)"--Acknowledgements, unnumbered page viii
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|a Introduction : cinematicity and comparative media / Jeffrey Geiger and Karin Littau -- Part 1. Cinematicity before cinema -- 1. Dickensian 'dissolving views' : the magic lantern, visual storytelling and the Victorian technological imagination / Joss Marsh -- 2. 'Never has one seen reality enveloped in such a phantasmagoria' : watching spectacular transformations, 1860-89 / Kristian Moen -- 3. Moving-picture media and modernity : taking intermediate and ephemeral forms seriously / Ian Christie -- Part 2. Transitions : early cinema and cinematicity -- 4. Reading in the age of Edison : the cinematicity of 'The yellow wall-paper' / Karin Littau -- 5. Time and motion studies : Joycean cinematicity in A portrait of the artist as a young man / Keith B. Williams -- 6. Nature caught in the act : on the transformation of an idea of art in early cinema / Nico Baumbach -- Part 3. Cinematicity in the 'classic' cinema age -- 7. Cinematicity of speech and visibility of literature : the poetics of Soviet film scripts of the early sound film era / Anke Hennig -- 8. Making America global : cinematicity and the aerial view / Jeffrey Geiger -- 9. Invisible cities, visible cinema : illuminating shadows in late film noir / Tom Gunning -- Part 4. Digital cinematicity -- 10. Cinema, video, game : astonishing aesthetics and the cinematic 'future' of computer graphics' past / Leon Gurevitch -- 11. Miniature pleasures : on watching films on an iPhone / Martine Beugnet -- 12. Kino-eye in reverse : visualizing cinema / Lev Manovich.
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|a Includes bibliographical references (pages 235-239) and index.
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|a Highlights the complex ways in which media anticipate, interfere with and draw on one other. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to answer these questions by focusing on the relationships between cinema and other media, cultural productions and diverse forms of entertainment. Cinematicity in Media History highlights the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema. It examines the interrelations between cinema, literature, photography and other modes of representation not only to each other, but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - and provides crucial insights into the development of media and their overlapping technologies and aesthetics.
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|a English.
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|a Motion pictures
|x Social aspects.
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|a Intermediality.
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|a Cinéma
|x Aspect social.
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|a Intermédialité.
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|a PSYCHOLOGY
|x Social Psychology.
|2 bisacsh
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|a PERFORMING ARTS
|x Film & Video
|x General.
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|a Motion pictures
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|a Media Studies.
|2 ukslc
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|a Geiger, Jeffrey,
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|a Littau, Karin,
|d 1960-
|e editor.
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|i Print version:
|t Cinematicity in media history
|z 0748676112
|w (OCoLC)850856318
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