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JSTOR_ocn870194521 |
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|a 875819950
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|a 1142679713
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|a 9780822376750
|q (electronic bk.)
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|a 082237675X
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|a (OCoLC)870194521
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|z (OCoLC)1069699192
|z (OCoLC)1142679713
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|a 22573/ctv112369p
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|a ML3916
|b .S53 2014
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|a MUS
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|a 781.1/1
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|a UAMI
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|a Shank, Barry,
|e author.
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|a The political force of musical beauty /
|c Barry Shank.
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|a Durham ;
|a London :
|b Duke University Press,
|c 2014.
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|c ©2014
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|a 1 online resource (ix, 330 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
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|a Refiguring american music
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|a A prelude -- Listening to the political -- The anthem and the condensation of context -- Turning inward, inside out -- two Japanese musicians confront the limits of tradition -- "Heroin"; or, the droning of the commodity -- The conundrum of authenticity and the limits of rock -- 1969; or, the performance of political melancholy -- Coda listening through the aural imaginary.
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|a Print version record.
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|a In The Political Force of Musical Beauty, Barry Shank shows how musical acts and performances generate their own aesthetic and political force, creating, however fleetingly, a shared sense of the world among otherwise diverse listeners. Rather than focusing on the ways in which music enables the circulation of political messages, he argues that communities grounded in the act and experience of listening can give rise to new political ideas and expression.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Music
|x Social aspects.
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|a Music
|x Political aspects.
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|a Group identity in the performing arts.
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|a Musique
|x Aspect social.
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|a Musique
|x Aspect politique.
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|a Identité collective dans les arts du spectacle.
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|a MUSIC
|x Instruction & Study
|x Theory.
|2 bisacsh
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|a MUSIC
|x History & Criticism.
|2 bisacsh
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|a Group identity in the performing arts
|2 fast
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|a Music
|x Political aspects
|2 fast
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|a Music
|x Social aspects
|2 fast
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0 |
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|i Print version:
|a Shank, Barry.
|t Political force of musical beauty.
|d Durham ; London : Duke University Press, 2014
|z 9780822356462
|z 9780822356585
|w (DLC) 2013042799
|w (OCoLC)859044859
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830 |
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|a Refiguring American music.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1131b0g
|z Texto completo
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|a Digitalia Publishing
|b DGIT
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|a EBSCOhost
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|a ProQuest MyiLibrary Digital eBook Collection
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