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Records ruin the landscape : John Cage, the sixties, and sound recording /
John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Grubbs, David, |d 1967- |e author. | |
| 245 | 1 | 0 | |a Records ruin the landscape : |b John Cage, the sixties, and sound recording / |c David Grubbs. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xxv, 220 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Henry Flynt on the air -- Landscape with Cage -- John Cage, recording artist -- The antiques trade: free improvisation and record culture -- Remove the records from Texas: online resources and impermanent archives. | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 600 | 1 | 0 | |a Cage, John |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Cage, John |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Cage, John |2 fast |
| 650 | 0 | |a Improvisation (Music) |x History and criticism. | |
| 650 | 0 | |a Avant-garde (Music) |x History and criticism. | |
| 650 | 0 | |a Sound recordings. | |
| 650 | 6 | |a Improvisation (Musique) |x Histoire et critique. | |
| 650 | 6 | |a Musique expérimentale |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Avant-garde (Music) |2 fast | |
| 650 | 7 | |a Improvisation (Music) |2 fast | |
| 650 | 7 | |a Sound recordings |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Grubbs, David, 1967- |t Records ruin the landscape. |d Durham : Duke University Press, 2014 |z 9780822355762 |z 9780822355908 |w (DLC) 2013041395 |w (OCoLC)862222200 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1198w4w |z Texto completo |
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