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JSTOR_ocn869472280 |
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140130s2014 enk o 000 0 eng d |
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|a 019471538
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|z (OCoLC)1111298524
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|a 842.914
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|a UAMI
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|a Santos Sánchez, Diego,
|e author.
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|a El teatro pánico de Fernando Arrabal /
|c Diego Santos Sánchez.
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|a Woodbridge :
|b Tamesis,
|c 2014.
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|a 1 online resource
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|a text
|b txt
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|a data file
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|a Print version record.
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|a The Panic Theatre is a set of plays conceived by Fernando Arrabal between 1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatice text 'Le Panique, ' that singles out three key concepts responsible for artistic creation: memory, chance and confusion.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Arrabal, Fernando
|x Criticism and interpretation.
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|a Arrabal, Fernando
|2 fast
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|a Experimental drama, French
|x History and criticism.
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|a DRAMA
|x Continental European.
|2 bisacsh
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|a Experimental drama, French
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Santos Sánchez, Diego.
|t Teatro pánico de Fernando Arrabal
|z 9781855662414
|w (OCoLC)865492337
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt3fgmbk
|z Texto completo
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