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The forms of the affects /

What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affec...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Brinkema, Eugenie, 1980- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, [2014]
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Ten points to begin
  • A tear that does not drop, but folds
  • Crying is structured like a language
  • Tears without bodies
  • Film theory's absent center
  • Emotion, feeling, excess, affect
  • Affective fallacies
  • Reading for affect
  • Mise-n'en-scene: formalism after presence
  • Interval: solitude
  • The illumination of light
  • Visible darkness: optics according to Augustine
  • Light, the peculiar
  • Ongoing dialogues with loss
  • Grief without sublation
  • Grief and the undialectical image
  • Ma mort indialectique
  • Extra missing things
  • Acedia and the Pose
  • Where being would have been
  • A still and heavy pain
  • Aesthetic exclusions and the worse than the worst
  • Philosophy of the retch
  • Aesthetics' tastes
  • What is worse than the worst
  • Objects, abjects, close-ups
  • Laura Dern's vomit
  • Wild hearts, sick figures
  • Disgust and the cinema of haut go't
  • Gastronomy according to peter greenaway
  • Dissecting qualities
  • Rot's progress
  • On having an excellent palate
  • Interval: formalism and affectivity
  • Intermittency, embarrassment, dismay
  • These things that creep, stir and squirm
  • Heksebrev
  • Interruption or the interval
  • Esmoi, esmais, émoi
  • Treading red blue water
  • Nothing/will have taken place/but the place: open water anxiety
  • Something or nothing
  • A shark is a form of time
  • A shark punctures a line
  • Death is a turn of the color wheel
  • Nothing but the place
  • To begin again: the ingression of joyful forms
  • Affirmable modes of recurrence
  • (Shall we) let x =
  • Putting one's faith in form