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Richard E. Norman and race filmmaking /
In the early 1900s, so-called race filmmakers set out to produce Black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent&q...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Lupack, Barbara Tepa. | |
| 245 | 1 | 0 | |a Richard E. Norman and race filmmaking / |c Barbara Tepa Lupack ; foreword by Michael T. Martin. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (400 pages) : |b portrait | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Foreword / Michael T. Martin -- Introduction : new visions of opportunity -- Race matters : the evolution of race filmmaking -- "Have you talent?" : Norman's early career -- "Not a white man in the cast" : Norman's early race films -- "Taking two hides from the ox" : The bull-dogger and The crimson skull -- "A risky experiment" : Zircon and regeneration -- "You know we have the goods" : The flying ace and Black gold -- "It takes a darn good one to stick" : Norman's later career -- Afterword -- Appendix 1 : Shooting script : The green eyed monster -- Appendix 2 : Shooting script (fragment) and scenario : The bull-dogger -- Appendix 3 : Shooting script : The crimson skull. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In the early 1900s, so-called race filmmakers set out to produce Black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Norman, Richard E., |d 1891-1960 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Norman, Richard E., |d 1891-1960 |2 fast |
| 650 | 0 | |a Race films. | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a African Americans in motion pictures |2 fast | |
| 650 | 7 | |a Race films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Martin, Michael T. | |
| 776 | 0 | 8 | |i Print version: |a Lupack, Barbara Tepa. |t Richard E. Norman and race filmmaking. |d Bloomington : Indiana University Press, [2014] |h xxii, 373 pages |z 9780253010643 |w (DLC) 2013040602 |
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