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049 |a UAMI 
100 1 |a McGill, Meredith L. 
245 1 0 |a American literature and the culture of reprinting, 1834-1853 /  |c Meredith L. McGill. 
264 1 |a Philadelphia :  |b University of Pennsylvania Press,  |c 2007. 
300 |a 1 online resource (373 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
490 1 |a Material texts 
500 |a Originally published: 2003. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover -- Title -- Copyright -- Contents -- Introduction: The Matter of the Text -- 1. Commerce, Print Culture, and the Authority of the State in American Copyright Law -- Discontinuities in the Genealogy of Authorship -- Materiality and the Common Law in Wheaton v. Peters -- Dissemination and the State -- Perfect Title: American Copyright and the Letter of the Law -- 2. International Copyright and the Political Economy of Print -- Legalizing Piracy -- Representing the Nation: The Campaign for International Copyright 
505 8 |a Decentering the Market: Defending the System of ReprintingMaintaining Decentralization: Reprinting and the Syncopation of the National Imaginary -- 3. Circulating Media: Charles Dickens, Reprinting, and the Dislocation of American Culture -- Property in Dickens: The 1842 Tour -- National Debt and National Identity: The American Circulation of American Notes for General Circulation -- Representing Decentralization: The Narrative Structure of American Notes -- Circulation and Slavery -- Martin Chuzzlewit, the Social Order, and the Medium of Print -- 4. Unauthorized Poe 
505 8 |a Embracing SecondarityDislocating Reference -- Elaboration, Eclecticism, and the Deferral of Authorship -- Authentic Facsimiles -- 5. Poe, Literary Nationalism, and Authorial Identity -- James Russell Lowell and the Be-Mirrorment of Poe -- Removing the Anonymous: Young America and the Control of Dissemination -- Narratives of Absolute Possession and Dispossession: Authorial Identity in The Little Longfellow War -- Disowning Ownership: Poe's Evasion of Identity at the Boston Lyceum -- 6. Suspended Animation: Hawthorne and the Relocation of Narrative Authority 
505 8 |a The Uses of ObscuritySleeping Beauty in the Waxworks Monotony and Repose in Early Hawthorne -- Monotony and Declension: The Properties of Narrative in The House of the Seven Gables -- Time-Stricken: Narrative Disruption and Self-Indictment -- Sordid Contact: Addressing Ordinary Life and the Disenchantments of Address -- Authorship and the Power of Humiliation -- Coda -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- W -- Y 
520 8 |a Annotation  |b The antebellum period has long been identified with the belated emergence of a truly national literature. And yet, as Meredith L. McGill argues, a mass market for books in this period was built and sustained through what we would call rampant literary piracy: a national literature developed not despite but because of the systematic copying of foreign works. Restoring a political dimension to accounts of the economic grounds of antebellum literature, McGill unfolds the legal arguments and political struggles that produced an American "culture of reprinting" and held it in place for two crucial decades. In this culture of reprinting, the circulation of print outstripped authorial and editorial control. McGill examines the workings of literary culture within this market, shifting her gaze from first and authorized editions to reprints and piracies, from the form of the book to the intersection of book and periodical publishing, and from a national literature to an internally divided and transatlantic literary marketplace. Through readings of the work of Dickens, Poe, and Hawthorne, McGill seeks both to analyze how changes in the conditions of publication influenced literary form and to measure what was lost as literary markets became centralized and literary culture became stratified in the early 1850s. American Literature and the Culture of Reprinting, 1834-1853 delineates a distinctive literary culture that was regional in articulation and transnational in scope, while questioning the grounds of the startlingly recent but nonetheless powerful equation of the national interest with the extension of authors' rights 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
600 1 0 |a Hawthorne, Nathaniel,  |d 1804-1864  |x Relations with publishers. 
600 1 0 |a Poe, Edgar Allan,  |d 1809-1849  |x Relations with publishers. 
600 1 0 |a Dickens, Charles,  |d 1812-1870  |x Relations with publishers. 
600 1 7 |a Dickens, Charles,  |d 1812-1870.  |2 fast  |0 (OCoLC)fst00028294 
600 1 7 |a Hawthorne, Nathaniel,  |d 1804-1864.  |2 fast  |0 (OCoLC)fst00030387 
600 1 7 |a Poe, Edgar Allan,  |d 1809-1849.  |2 fast  |0 (OCoLC)fst00032674 
650 0 |a American literature  |y 19th century  |x History and criticism. 
650 0 |a Literature publishing  |z United States  |x History  |y 19th century. 
650 0 |a Authors and publishers  |z United States  |x History  |y 19th century. 
650 0 |a Copyright  |z United States  |x History  |y 19th century. 
650 6 |a Littérature américaine  |y 19e siècle  |x Histoire et critique. 
650 6 |a Littérature  |x Édition  |z États-Unis  |x Histoire  |y 19e siècle. 
650 6 |a Écrivains et éditeurs  |z États-Unis  |x Histoire  |y 19e siècle. 
650 7 |a LITERARY CRITICISM  |x Books & Reading.  |2 bisacsh 
650 7 |a American literature.  |2 fast  |0 (OCoLC)fst00807113 
650 7 |a Authors and publishers.  |2 fast  |0 (OCoLC)fst00821733 
650 7 |a Copyright.  |2 fast  |0 (OCoLC)fst00878706 
650 7 |a Literature publishing.  |2 fast  |0 (OCoLC)fst01000111 
650 7 |a Relations with publishers.  |2 fast  |0 (OCoLC)fst01354388 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a McGill, Meredith L.  |t American literature and the culture of reprinting, 1834-1853.  |d Philadelphia : University of Pennsylvania Press, 2007  |h viii, 364 pages : illustrations ; 23 cm.  |k Material texts  |z 9780812219951  |w (OCoLC)86167940 
830 0 |a Material texts. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt4cghh7  |z Texto completo 
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