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|a n-us---
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|a PN1998.3.U46
|b I84 2013
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|a UAMI
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|a Isenberg, Noah William.
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|a Edgar G. Ulmer :
|b a filmmaker at the margins /
|c Noah Isenberg.
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|a Berkeley :
|b University of California Press,
|c 2013.
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|c ©2014
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|a 1 online resource (xiv, 365 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Weimar and now: German cultural criticism
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|a Includes bibliographical references and index.
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|a Preface -- Traces of a Viennese youth -- Toward a cinema at the margins -- Hollywood horror -- Songs of exile -- Capra of PRC -- Back in black -- Independence days -- Postscript.
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|a Print version record.
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|a Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German émigré directors-Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F.W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker.
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Ulmer, Edgar G.
|q (Edgar George),
|d 1904-1972.
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|a Ulmer, Edgar G.
|q (Edgar George),
|d 1904-1972
|2 fast
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|a Motion picture producers and directors
|z United States
|v Biography.
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|a Producteurs et réalisateurs de cinéma
|z États-Unis
|v Biographies.
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|a BIOGRAPHY & AUTOBIOGRAPHY
|x Entertainment & Performing Arts.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Motion picture producers and directors
|2 fast
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|a United States
|2 fast
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|a Biographies
|2 fast
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|a Biographies.
|2 lcgft
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|a Biographies.
|2 rvmgf
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|i Print version:
|z 9780520235779
|z 0520235770
|w (DLC) 2013025957
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|a Weimar and now.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.1525/j.ctt4cgfdw
|z Texto completo
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