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Legal Fictions : Constituting Race, Composing Literature.
In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. juri...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Duke University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Holloway, Karla FC. | |
| 245 | 1 | 0 | |a Legal Fictions : |b Constituting Race, Composing Literature. |
| 260 | |b Duke University Press, |c 2013. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 520 | |a In Legal Fictions, Karla FC Holloway both argues that U.S. racial identity is the creation of U.S. law and demonstrates how black authors of literary fiction have engaged with the law's constructions of race since the era of slavery. Exploring the resonance between U.S. literature and U.S. jurisprudence, Holloway reveals Toni Morrison's Beloved and Charles Johnson's Middle Passage as stories about personhood and property, David Bradley's The Chaneysville Incident and Ralph Ellison's Invisible Man as structured by evidence law, and Nella Larsen's Passing as intimately related to contract law. H. | ||
| 505 | 0 | |a Preface; Introduction: Bound by Law; Intimate Intersectionalities-Scalar Recollections; Public Fictions, Private Facts; Simile as Precedent; Property, Contract, and Evidentiary Values; One: The Claims of Property: On Being and Belonging; The Capital in Question; Imagined Liberalism; Mapping Racial Reason; Being in Place: Landscape, Never Inscape; Two: Bodies as Evidence (of Things Not Seen); Secondhand Tales and Hearsay; Black Legibility-Can I Get a Witness?; Trying to Read Me; Three: Composing Contract; "A novel-like tenor"; Passing and Protection; A Secluded Colored Neighborhood. | |
| 505 | 8 | |a Epilogue: When and Where "All the Dark-Glass Boys" EnterA Contagion of Madness; Notes; References; Acknowledgments; Index. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a American literature |x African American authors |x History and criticism. | |
| 650 | 0 | |a African Americans |x Legal status, laws, etc. |x History. | |
| 650 | 0 | |a Race discrimination |x Law and legislation |z United States |x History. | |
| 650 | 0 | |a Race in literature. | |
| 650 | 6 | |a Race dans la littérature. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Discrimination & Race Relations. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Minority Studies. |2 bisacsh | |
| 650 | 7 | |a LAW / General |2 bisacsh | |
| 650 | 7 | |a African Americans |x Legal status, laws, etc. |2 fast | |
| 650 | 7 | |a American literature |x African American authors |2 fast | |
| 650 | 7 | |a Race discrimination |x Law and legislation |2 fast | |
| 650 | 7 | |a Race in literature |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9781306329460 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11316h9 |z Texto completo |
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