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From a nation torn : decolonizing art and representation in France, 1945-1962 /
From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are de...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham ; London :
Duke University Press,
2014.
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| Colección: | Objects/histories.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Feldman, Hannah, |e author. | |
| 245 | 1 | 0 | |a From a nation torn : |b decolonizing art and representation in France, 1945-1962 / |c Hannah Feldman. |
| 264 | 1 | |a Durham ; |a London : |b Duke University Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xvi, 317 pages) : |b illustrations (some color) | ||
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| 490 | 1 | |a Objects/Histories | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Notes on art during war and the potentialities of decolonial representation -- André Malraux and the image of the past as the future of the present -- Fragments; or, the ends of photography -- Fac̦ades; or, the space of silence -- Between resistance and refusal: the language of art and its publics -- Sonic youth, sonic space: Isidore Isou and the lettrist accoustics of deterritorialization -- La France Déchirée: the politics of representation and the spaces in between -- Reidentifications; or, seeing citizens being seen -- "The eye of history": photojournalism, protest, and the manifestation of 17 October 1961 -- Looking past the state of emergency: a coda. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as ""postwar."" Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tu | ||
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| 650 | 0 | |a Art |x Political aspects |z France |x History |y 20th century. | |
| 650 | 0 | |a Art and state |z France |x History |y 20th century. | |
| 650 | 0 | |a Decolonization |x Social aspects |z France |x History |y 20th century. | |
| 650 | 6 | |a Art |x Aspect politique |z France |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Art |x Politique gouvernementale |z France |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Décolonisation |x Aspect social |z France |x Histoire |y 20e siècle. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x History |x Contemporary (1945- ) |2 bisacsh | |
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| 650 | 7 | |a Art |x Political aspects |2 fast | |
| 650 | 7 | |a Decolonization |x Social aspects |2 fast | |
| 651 | 7 | |a France |2 fast | |
| 650 | 7 | |a Entkolonialisierung |2 gnd | |
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| 651 | 7 | |a Frankreich |2 gnd | |
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| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Feldman, Hannah. |t From a nation torn. |d Durham ; London : Duke University Press, 2014 |z 9780822353560 |z 9780822353713 |w (DLC) 2013042836 |w (OCoLC)859044845 |
| 830 | 0 | |a Objects/histories. | |
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