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Reclaiming late-romantic music : singing devils and distant sounds /
Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally sel...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press,
[2014]
|
| Colección: | Ernest Bloch lectures.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Franklin, Peter, |e author. | |
| 245 | 1 | 0 | |a Reclaiming late-romantic music : |b singing devils and distant sounds / |c Peter Franklin. |
| 264 | 1 | |a Berkeley : |b University of California Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (xvii, 197 pages) : |b illustrations | ||
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| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Ernest Bloch lectures | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Setting the scene : grandiose symphonics and the trouble with art -- Pessimism, ecstasy and distant voices : listening to late-romanticism -- Sunsets, sunrises and decadent oceanics -- Making the world weep (more problems with opera) -- Late romanticism meets classical music at the movies -- The bitter truth of modernism : a late-romantic story. | |
| 520 | |a Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
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| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
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| 650 | 7 | |a Romantik |2 gnd | |
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| 776 | 0 | 8 | |i Print version: |a Franklin, Peter. |t Reclaiming late-romantic music. |d Berkeley : University of California Press, [2014] |z 9780520280397 |w (DLC) 2013031179 |w (OCoLC)855362768 |
| 830 | 0 | |a Ernest Bloch lectures. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt5hjh53 |z Texto completo |
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