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Sites of disquiet : the non-space in Spanish American short narratives and their cinematic transformations /

Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kressner, Ilka, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: West Lafayette, Indiana : Purdue University Press, [2013]
Colección:Purdue studies in Romance literatures ; v. 58.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kressner, Ilka,  |d 1975-  |e author. 
245 1 0 |a Sites of disquiet :  |b the non-space in Spanish American short narratives and their cinematic transformations /  |c Ilka Kressner. 
264 1 |a West Lafayette, Indiana :  |b Purdue University Press,  |c [2013] 
300 |a 1 online resource (xvi, 169 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Purdue studies in Romance literatures ;  |v volume 58 
504 |a Includes bibliographical references (pages 153-161) and index. 
505 0 |a Introduction: Spotting the non-space -- Into spatial vagueness: Jorge Luis Borges's and Miguel Picazo's Hombre de la esquina Rosada -- The power of staging: spaces of emulation in Jorge Luis Borges's "Tema del traidor y del heroe" and Bernardo Bertolucci's Strategia del ragno -- Screening the void: Julio Cortazar's "cartas de mama" and Manuel Antin's and Miguel Picazo's filmic translations -- Echoes in the dark: Pedro Paramo on the page and on the screen -- Toward amor vacui: Gabriel Garcia Marquez's and Ruy Guerra's erendiras -- Epilogue: The non-space revisited. 
520 |a Some of the most important writers of the twentieth century, including Borges, Cortázar, Rulfo, and García Márquez, have explored ambiguous sites of a disquieting nature. Their characters face merging perspectives, deferral, darkness, or emptiness. Such a space is neither a site of projection (as utopia or dystopia) nor a neutral setting (as the topos). For the characters, it is real and active, at once elusive and transforming. Despite the challenges of visualizing such slippery spaces, filmic experimentations in Spanish American cinema since the 1960s have sought to adapt these texts to the screen. Ilka Kressner's Sites of Disquiet examines these representations of alternative dimensions in Spanish American short narratives and their transformations to the cinematic screen. The study is informed by contemporary critical approaches to spatiality, especially the concepts of atopos (non-space), spaces of mobility, sites of différance, of a self-effacing presence, and sonic spaces. Kressner's comparative study of textual and cinematic constructions of non-spaces highlights the potential and limits of inter-arts adaptation. Film not only portrays the sites in ways that are intrinsic to the medium, but during the cinematic translation, it further develops the textual presentations of space. Text and film illuminate each other in their renderings of echoes, gaps, absences, and radical openness. The shared focus of the two media on precarious spaces highlights their awareness of the physical and situational conditions in the works. Therefore, it vindicates the import of space and dwelling, and the often underestimated impact of surroundings on the human body and mind. Despite their heterogeneity, the artistic elaborations of these ambivalent atopoi all share a liberating impulse: they assert creative and open-ended interactions with space where volatility ceases to be a negative term. 
588 0 |a Description based on online resource; title from PDF title page (viewed September 28, 2020). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Spanish American fiction  |y 20th century  |x History and criticism. 
650 0 |a Spanish American literature  |x Film adaptations. 
650 0 |a Personal space in literature. 
650 0 |a Space and time in literature. 
650 0 |a Sacred space in literature. 
650 0 |a Space (Architecture) in literature. 
650 6 |a Roman hispano-américain  |y 20e siècle  |x Histoire et critique. 
650 6 |a Littérature hispano-américaine  |x Adaptations cinématographiques. 
650 6 |a Espace personnel dans la littérature. 
650 6 |a Lieux sacrés dans la littérature. 
650 6 |a Espace (Architecture) dans la littérature. 
650 7 |a LITERARY CRITICISM  |x Caribbean & Latin American.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Personal space in literature.  |2 fast  |0 (OCoLC)fst01058653 
650 7 |a Sacred space in literature.  |2 fast  |0 (OCoLC)fst01904542 
650 7 |a Space and time in literature.  |2 fast  |0 (OCoLC)fst01127645 
650 7 |a Space (Architecture) in literature.  |2 fast  |0 (OCoLC)fst01127614 
650 7 |a Spanish American fiction.  |2 fast  |0 (OCoLC)fst01128187 
650 7 |a Spanish American literature.  |2 fast  |0 (OCoLC)fst01128195 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Film adaptations.  |2 fast  |0 (OCoLC)fst01710491 
655 7 |a Anthologies.  |2 lcgft 
776 0 8 |i Print version:  |a Kressner, Ilka, 1975-  |t Sites of disquiet  |z 9781612492889  |w (DLC) 2013016009  |w (OCoLC)839661139 
830 0 |a Purdue studies in Romance literatures ;  |v v. 58. 
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