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Dimensions of originality : essays on seventeenth-century Chinese art theory and criticism /
This book investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, &qu...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
The Chinese University Press,
©2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Some problems of expectation or speculations on why originality can't be a "traditional Chinese" value (when it is) ; Some problems of interpretation or discerning the flavors of a fine kettle of fish
- Ideas and words. How ideas spread across China and among the classes ; The importance of a word : a discussion of critical terms
- What the theorists and critics had to say. What the texts say : originality in pre-seventeenth-century art theory and criticism ; What the texts say : originality in seventeenth-century painting theory and criticism
- What the texts say : originality in seventeenth-century calligraphy theory and criticism
- Images. The other Dong Qichang ; What originality looks like : Wu Bin's On the way to Shanyin
- The legacy of a concept. The End of originality as the seventeenth century knew it
- Epilogue. A new canon : qi becomes the new zheng
- Appendix. Instances of the ise of qi, yi, and guai in sobriquet dictionaries.