Cargando…
Dimensions of originality : essays on seventeenth-century Chinese art theory and criticism /
This book investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, &qu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
The Chinese University Press,
©2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn867741973 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |||||||nn|n | ||
| 008 | 130920s2013 cc a ob 001 0 eng d | ||
| 040 | |a P@U |b eng |e pn |c P@U |d OCLCO |d OCLCQ |d YDXCP |d COO |d OCLCQ |d OCLCO |d OCLCF |d OCLCO |d OCL |d OCLCQ |d JSTOR |d IYU |d IOG |d OCLCQ |d EBLCP |d MERUC |d AU@ |d OCLCQ |d N$T |d OCLCQ |d UKAHL |d K6U |d KMS |d CUV |d OCLCO |d OCLCQ |d OCLCA | ||
| 019 | |a 1058394327 | ||
| 020 | |a 9789629969141 |q (electronic bk.) | ||
| 020 | |a 9629969149 |q (electronic bk.) | ||
| 020 | |z 9629964562 | ||
| 020 | |z 9789629964566 | ||
| 029 | 1 | |a AU@ |b 000061990215 | |
| 029 | 1 | |a NZ1 |b 15962839 | |
| 035 | |a (OCoLC)867741973 |z (OCoLC)1058394327 | ||
| 037 | |a 22573/ctt1p7h382 |b JSTOR | ||
| 043 | |a a-cc--- | ||
| 050 | 4 | |a N7343.5 |b .B874 2013 | |
| 072 | 7 | |a ART019000 |2 bisacsh | |
| 082 | 0 | 4 | |a 709.5109/032 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Burnett, Katharine Persis, |e author. | |
| 245 | 1 | 0 | |a Dimensions of originality : |b essays on seventeenth-century Chinese art theory and criticism / |c Katharine P. Burnett. |
| 260 | |a Hong Kong : |b The Chinese University Press, |c ©2013. | ||
| 300 | |a 1 online resource (xxx, 414 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a This book investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, "odd," like a number and, by extension, "the novel" and "extraordinary." The author speculates on why many have dismissed originality as a "traditional Chinese" value, and the ramifications this has had on understanding. She further demonstrates that a study of key terms can reveal social and cultural values, and provides a linear history of the increase in use of qi as "originality" through the seventeenth centuries | ||
| 504 | |a Includes bibliographical references (pages 385-402) and index. | ||
| 505 | 0 | |a Some problems of expectation or speculations on why originality can't be a "traditional Chinese" value (when it is) ; Some problems of interpretation or discerning the flavors of a fine kettle of fish -- Ideas and words. How ideas spread across China and among the classes ; The importance of a word : a discussion of critical terms -- What the theorists and critics had to say. What the texts say : originality in pre-seventeenth-century art theory and criticism ; What the texts say : originality in seventeenth-century painting theory and criticism -- What the texts say : originality in seventeenth-century calligraphy theory and criticism -- Images. The other Dong Qichang ; What originality looks like : Wu Bin's On the way to Shanyin -- The legacy of a concept. The End of originality as the seventeenth century knew it -- Epilogue. A new canon : qi becomes the new zheng -- Appendix. Instances of the ise of qi, yi, and guai in sobriquet dictionaries. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Art, Chinese |y Ming-Qing dynasties, 1368-1912. | |
| 650 | 0 | |a Art criticism |z China |x History |y 17th century. | |
| 650 | 6 | |a Art chinois |y 1368-1912 (Dynasties des Ming et des Qing) | |
| 650 | 6 | |a Critique d'art |z Chine |x Histoire |y 17e siècle. | |
| 650 | 7 | |a ART |x Asian. |2 bisacsh | |
| 650 | 7 | |a Art, Chinese |x Ming-Qing dynasties. |2 fast |0 (OCoLC)fst01906786 | |
| 650 | 7 | |a Art criticism. |2 fast |0 (OCoLC)fst00815492 | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 648 | 7 | |a 1368-1912 |2 fast | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 776 | 0 | 8 | |i Print version: |a Burnett, Katharine Persis. |t Dimensions of originality. |d Hong Kong : The Chinese University Press, [2013] |z 9789629964566 |w (OCoLC)693812352 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1p9wqjn |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36469255 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5433677 | ||
| 938 | |a EBSCOhost |b EBSC |n 2171725 | ||
| 938 | |a Project MUSE |b MUSE |n muse29603 | ||
| 938 | |a YBP Library Services |b YANK |n 11637217 | ||
| 994 | |a 92 |b IZTAP | ||