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Making modernism Soviet : the Russian avant-garde in the early Soviet era, 1918-1928 /

This book provides an understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the rela...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kachurin, Pamela Jill
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, 2013
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Kachurin, Pamela Jill. 
245 1 0 |a Making modernism Soviet :  |b the Russian avant-garde in the early Soviet era, 1918-1928 /  |c Pamela Kachurin. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c 2013 
300 |a 1 online resource (xxiii, 145 pages) 
336 |a text  |b txt  |2 rdacontent 
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500 |a Substantial revision of the author's thesis (1998). 
504 |a Includes bibliographical references and index. 
505 0 |a The great experiment : the Moscow Museum of Painterly Culture, 1918-1928 -- The center of artistic life : the Peoples' School of Art in Vitebsk, 1919-1923 -- The last citadel : the Petrograd Museum of Artistic Culture GINKhUK, 1919-1926 -- Epilogue. 
520 |a This book provides an understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, the author lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate. 
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650 0 |a Art  |x Political aspects  |z Soviet Union. 
650 0 |a Avant-garde (Aesthetics)  |z Soviet Union. 
650 0 |a Modernism (Art)  |z Soviet Union. 
650 0 |a Art, Soviet. 
650 6 |a Art  |x Aspect politique  |z URSS. 
650 6 |a Modernisme (Art)  |z URSS. 
650 6 |a Art soviétique. 
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650 7 |a Modernism (Art)  |2 fast  |0 (OCoLC)fst01024442 
651 7 |a Soviet Union.  |2 fast  |0 (OCoLC)fst01210281 
650 7 |a Visual Arts.  |2 hilcc 
650 7 |a Art, Architecture & Applied Arts.  |2 hilcc 
650 7 |a Visual Arts - General.  |2 hilcc 
648 7 |a 1900-1999  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Kachurin, Pamela Jill.  |t Making modernism Soviet.  |d Evanston, Ill. : Northwestern University Press, 2013  |w (DLC) 2013002282 
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