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|a 22573/ctv170znzf
|b JSTOR
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|a Haddox, Thomas F.
|q (Thomas Fredrick)
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|a Hard sayings :
|b the rhetoric of Christian orthodoxy in late modern fiction /
|c Thomas F. Haddox.
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|a Columbus :
|b The Ohio State University Press,
|c [2013]
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|c ©2013
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|a 1 online resource (viii, 225 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Literature, religion, and postsecular studies
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|a Includes bibliographical references (pages 209-217) and index.
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|a Introduction : Christian orthodoxy and the rhetoric of fiction -- Flannery O'Connor, the irreducibility of belief, and the problem of audience -- Catholicism for "really intelligent people" : the rhetoric of Muriel Spark -- John Updike's rhetoric of Christian American narcissism -- Walker Percy's rhetoric of time, apocalypse, and the modern predicament -- The uses of orthodoxy : Mary Gordon and Marilynne Robinson -- Epilogue : on belief and academic humility.
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|a This book examines the work of six avowedly Christian writers of fiction in the period from World War II to the early twenty-first century. This period is often characterized in western societies by such catchphrases as “postmodernism” and “secularization,” with the frequent implication that orthodox belief in the dogmas of Christianity has become untenable among educated readers. How, then, do we account for the continued existence of writers of self-consciously literary fiction who attempt to persuade readers of the truth, desirability, and utility of the dogmas of Christianity? Is it possible to take these writers’ efforts on their own terms and to understand and evaluate the rhetorical strategies that this kind of persuasion might entail? Informed by the school of rhetorical narratology that includes such critics as Wayne Booth, James Phelan, and Richard Walsh, this book offers fresh readings of fictive works by Flannery O’Connor, Muriel Spark, John Updike, Walker Percy, Mary Gordon, and Marilynne Robinson. In its argument that orthodox Christianity, as represented in fiction, still has the power to persuade and to trouble, it contributes to debates about the nature and scope of modernity, postmodernity, and secularization.
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|a Print version record.
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|a English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Robinson, Marilynne
|x Criticism and interpretation.
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|a Gordon, Mary,
|d 1949-
|x Criticism and interpretation.
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|a Percy, Walker,
|d 1916-1990
|x Criticism and interpretation.
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|a Updike, John
|x Criticism and interpretation.
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|a Spark, Muriel
|x Criticism and interpretation.
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|a O'Connor, Flannery
|x Criticism and interpretation.
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|a Robinson, Marilynne
|x Criticism and interpretation.
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|a Gordon, Mary,
|d 1949-
|x Criticism and interpretation.
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|a Percy, Walker,
|d 1916-1990
|x Criticism and interpretation.
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|a Updike, John
|x Criticism and interpretation.
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|a Spark, Muriel
|x Criticism and interpretation.
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|a O'Connor, Flannery
|x Criticism and interpretation.
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|a Gordon, Mary,
|d 1949-
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|a O'Connor, Flannery
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|a Percy, Walker,
|d 1916-1990
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|a Robinson, Marilynne
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|a Spark, Muriel
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|a Updike, John
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|a Christianity in literature.
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|a Languages & Literatures.
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|a Literature
|x General.
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|a Christianisme dans la littérature.
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|a LITERARY COLLECTIONS
|x General.
|2 bisacsh
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|a Christianity in literature
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Haddox, Thomas F. (Thomas Fredrick).
|t Hard sayings.
|d Columbus : Ohio State University Press, ©2013
|w (DLC) 2012047044
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|a Literature, religion, and postsecular studies.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1725r7j
|z Texto completo
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|6 246-00/$1
|a 慈摲匠祡湩獧
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938 |
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|a Project MUSE
|b MUSE
|n muse29380
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|a 92
|b IZTAP
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