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Tracing expression in Merleau-Ponty : aesthetics, philosophy of biology, and ontology /

In this book, the author addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and “new biology” in the sec...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Fóti, Veronique Marion
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Evanston, Illinois : Northwestern University Press, [2013]
Colección:Northwestern University studies in phenomenology & existential philosophy.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Tracing expression in Merleau-Ponty :  |b aesthetics, philosophy of biology, and ontology /  |c Veronique M. Foti. 
264 1 |a Evanston, Illinois :  |b Northwestern University Press,  |c [2013] 
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504 |a Includes bibliographical references (pages 131-165) and index. 
505 0 |a Expression in Merleau-Ponty's aesthetics. Primordial perception and artistic expression : Merleau-Ponty and Cézanne ; Expression, institution, and the field : a searching itinerary ; Painterly and phenomenological interrogation in "Eye and mind" -- Expression in animal life. The expressivity of animal behavior : embryogenesis and environing worlds ; The expressivity of animal appearance and of directive and instinctual activities -- Expression in Merleau-Ponty's ontology. The role of expression in Merleau-Ponty's dialogue with the rationalists ; The irreducibility of expression : Merleau-Ponty's ontology and its wider implications -- Concluding thoughts. 
520 |a In this book, the author addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and “new biology” in the second of his lecture courses on nature, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et l’invisible (The Visible and the Invisible). With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” the author engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. 
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